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Tag: Actors

  • Women’s FAI Cup final preview: Sport’s finest actors prepare for trilogy and they demand an audience

    Women’s FAI Cup final preview: Sport’s finest actors prepare for trilogy and they demand an audience

    It didn’t take a marketing genius to slap the ‘trilogy’ tag on this one, but then again many can recall a time when the marketing genius wouldn’t have been asked.

    That alone may not be enough to guarantee, as Shelbourne veteran Pearl Slattery demands, “bums on seats”.

    Despite being the most thrilling of their first pair of finals, last year’s penalty shoot-out win for the midlanders, as decorative a decider as one could possibly have conceived, attracted just 3,526.

    More than 4,000 tickets had been sold, however, which obviously meant hundreds simply decided not to bother turning up.

    It represented a startling dip in a calendar year that saw Ireland’s women participate in a maiden World Cup and draw 35,000 to the Aviva Stadium.

    The previous year, there had been a second successive record crowd of 5,073, a relatively modest boast but nonetheless encouraging, who had watched Shelbourne clinch the double their great rivals are eyeing this afternoon.

    But how many will be there to see it?

    In a week when an existential debate has taken place about the value of validation, the purported sluggish sales may not augur well.

    The storm clouds whipped up by this week’s startling moons may give way to bright skies tomorrow afternoon, and one would hope that a buoyant crowd can show up too.

    Aside from the sporting bandwagons of Olympics and World Cups, grassroots female sport still struggles to occupy the hearts and minds of supporters, particularly female fans.

    The heartening campaigns to promote female sport, from print to broadcast, has not been mirrored by similar levels of engagement when one moves into the shadows, away from the spotlights shining on Rhasidat and Kellie and Katie.

    Those who operate away from the mainstream are enormously appreciative of those who seek to expose efforts undertaken mostly for the sheer love of sport, not for financial or personal gain.

    Some even agree that the coverage is often disproportionate; it remains a bugbear that so much of it tends towards being patronising, as opposed to being a true celebration of sport on deserved merits.

    Truly, Tallaght will tomorrow undeniably stage an event that demonstrates the pinnacle of the sport at a domestic level.

    For those who are engaged, the intensity of the affair will not disappoint, even if cup finals always bear a caveat that the occasion may suffocate potential quality.

    However, the narrative alone is captivating; Athlone, the Cinderella club only formed at the beginning of this decade, seeking to compile a double last garnered by Shelbourne in the pair’s first of three finals.

    Even if already champions, Athlone retain the element of fairytale, such has been their meteoric rise, particularly within a soccer landscape so lamentably barren for generations.

    Shelbourne didn’t win anything last year and, perhaps chiming with the former international who helms their men’s side, feel a little unappreciated.

    “I don’t think we get the credit we deserve,” noted Slattery during a week when each side freely submitted to a novel rivalry now fully emergent.

    “We are very hungry too,” notes Athlone boss Ciarán Kilduff. “That’s what we’ve based everything on. You talked earlier about bringing success out of Dublin, of course the objective is to break that dominance when you’re from the midlands.

    “That is our fuel. But they have their fuel. We won the league, they came so close. They deserve success. They have a really, really good team. And we respect them. We don’t fear them. But we respect them.”

    We have always admired gifted, deft Shels midfielder Noelle Murray but there are so many others to enthral.

    ​Sharpshooters Kate Mooney for the Dubliners and Athlone striker Brenda Ebika Tabe, or those who seek to quell them, Jesi Rossman and Slattery.

    Shels’ Leah Doyle and Athlone’s Kellie Brennan in opposition on the flanks; we suspect Athlone will seek to dominate possession in an initial 3-5-2, Shels maybe starting cautiously in a 3-4-2-1, albeit fiercely pressing off the ball.

    Last year’s final was a wildly vacillating affair; an early fillip for either could prompt another wondrous whirligig.

    A win each and a draw this season hints at the finest margins that, once more, may require a conclusion from 12 yards.

    Hopefully they find an audience befitting such drama.

    Athlone Town v Shelbourne, Live, tomorrow, RTÉ2, 3.0

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  • Video game actors’ union calls for strike against ‘League of Legends’

    Video game actors’ union calls for strike against ‘League of Legends’

    LOS ANGELES — Hollywood’s actors union called a strike against the popular multiplayer online game “League of Legends” on Tuesday, arguing the company that produces the game attempted to get around the ongoing video game strike by hiring non-union actors to work on a union title.

    The Screen Actors Guild-American Federation of Television and Radio Artists said the company, Formosa Interactive LLC, tried to “cancel” an unnamed video game affected by the strike shortly after the start of the work stoppage. The union said that when Formosa learned it could not cancel the game, the company “secretly transferred the game to a shell company and sent out casting notices for ‘non-union’ talent only.” In response, the union’s interactive negotiating committee voted unanimously to file an unfair labor practice charge against the company with the National Labor Relations Board and to call a strike against “League of Legends” as part of that charge.

    “League of Legends” is one of Formosa’s most well-known projects. The company provides voiceover services for the game, according to SAG-AFTRA.

    SAG-AFTRA has accused Formosa of interfering with protections that allow performers to form or join a union and prevent those performers from being discriminated against — a move the union called “egregious violations of core tenets of labor law.”

    Formosa did not immediately respond to a request for comment. “League of Legends” developer Riot Games said that the company “has nothing to do” with the union’s complaint.

    “We want to be clear: Since becoming a union project five years ago, ‘League of Legends’ has only asked Formosa to engage with union performers in the U.S. and has never once suggested doing otherwise,” Riot said in an emailed statement. “In addition, we’ve never asked Formosa to cancel a game that we’ve registered.”

    SAG-AFTRA’s allegations are related to a non-Riot game, the game publisher said.

    “It’s bad enough that Formosa and other companies are refusing to agree to the fair AI terms that have been agreed to by the film, television, streaming, and music industries, as well as more than 90 other game developers,” said the union’s national executive director, Duncan Crabtree-Ireland. “To commit illegal unfair labor practices is beyond the pale and won’t be tolerated by SAG-AFTRA members.”

    SAG-AFTRA members must immediately stop providing covered services to “League of Legends,” the union said. Until Tuesday, the game was one of several titles that remained unstruck. Formosa is a union signatory.

    “League of Legends is a game of champions. Instead of championing the union performers who bring their immense talent and experience to beloved characters, decision-makers at Formosa have chosen to try to evade and abandon them,” said Interactive Media Agreement Negotiating Committee Chair Sarah Elmaleh. “Such double-dealing is very disappointing from a longtime committed union signatory.”

    SAG-AFTRA called a strike against major game companies in July after more than a year of negotiations around the union’s interactive media agreement broke down over concerns around the use of unregulated artificial intelligence. Formosa is a member of the bargaining group in those talks.

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  • California governor signs laws to protect actors against unauthorized use of AI

    California governor signs laws to protect actors against unauthorized use of AI

    SACRAMENTO, Calif. — California Gov. Gavin Newsom signed off Tuesday on legislation aiming at protecting Hollywood actors and performers against unauthorized artificial intelligence that could be used to create digital clones of themselves without their consent.

    The new laws come as California legislators ramped up efforts this year to regulate the marquee industry that is increasingly affecting the daily lives of Americans but has had little to no oversight in the United States.

    The laws also reflect the priorities of the Democratic governor who’s walking a tightrope between protecting the public and workers against potential AI risks and nurturing the rapidly evolving homegrown industry.

    “We continue to wade through uncharted territory when it comes to how AI and digital media is transforming the entertainment industry, but our North Star has always been to protect workers,” Newsom said in a statement. “This legislation ensures the industry can continue thriving while strengthening protections for workers and how their likeness can or cannot be used.”

    Inspired by the Hollywood actors’ strike last year over low wages and concerns that studios would use AI technology to replace workers, a new California law will allow performers to back out of existing contracts if vague language might allow studios to freely use AI to digitally clone their voices and likeness. The law is set to take effect in 2025 and has the support of the California Labor Federation and the Screen Actors Guild-American Federation of Television and Radio Artists, or SAG-AFTRA.

    Another law signed by Newsom, also supported by SAG-AFTRA, prevents dead performers from being digitally cloned for commercial purposes without the permission of their estates. Supporters said the law is crucial to curb the practice, citing the case of a media company that produced a fake, AI-generated hourlong comedy special to recreate the late comedian George Carlin’s style and material without his estate’s consent.

    “It is a momentous day for SAG-AFTRA members and everyone else because the AI protections we fought so hard for last year are now expanded upon by California law thanks to the legislature and Governor Gavin Newsom,” SAG-AFTRA President Fran Drescher said in a statement. “They say as California goes, so goes the nation!”

    California is among the first states in the nation to establish performer protection against AI. Tennessee, long known as the birthplace of country music and the launchpad for musical legends, led the country by enacting a similar law to protect musicians and artists in March.

    Supporters of the new laws said they will help encourage responsible AI use without stifling innovation. Opponents, including the California Chamber of Commerce, said the new laws are likely unenforceable and could lead to lengthy legal battles in the future.

    The two new laws are among a slew of measures passed by lawmakers this year in an attempt to reign in the AI industry. Newsom signaled in July that he will sign a proposal to crack down on election deepfakes but has not weighed in other legislation, including one that would establish first-in-the-nation safety measures for large AI models.

    The governor has until Sept. 30 to sign the proposals, veto them or let them become law without his signature.

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  • James Earl Jones’ Darth Vader voice lives on through AI. Voice actors see promise and peril in that

    James Earl Jones’ Darth Vader voice lives on through AI. Voice actors see promise and peril in that

    LOS ANGELES — Over the course of an acting career that spanned more than six decades, James Earl Jones’ voice became an indelible piece of his work as a performer.

    On screen, Jones, who died Monday at 93, brought to life a reclusive writer coaxed back into the spotlight in “Field of Dreams” and a haughty king of a fictional land in “Coming To America.” On stage, he won two Tony Awards for “The Great White Hope” and “Fences.” His work as a voice actor — the regal dignity of his portrayal of Mufasa in “The Lion King” and the menacing and deep timbre he lent to Darth Vader in “Star Wars” — helped cement his place as a legendary actor among generations of fans.

    But in the wake of his death, an aspect of Jones’ career has come to the fore: consenting to the use of artificial intelligence to replicate his performance as Darth Vader after he stepped away from the role. Skywalker Sound and the Ukrainian company Respeecher used AI to recreate Jones’ villain for the 2022 show “Obi-Wan Kenobi” on Disney+. Mark Hamill’s voice was also “de-aged” using Respeecher for his appearance as Luke Skywalker in “The Mandalorian.”

    Voice actors say they fear AI could reduce or eliminate job opportunities because the technology could be used to replicate one performance into a number of other movements without their consent — a concern that led video game performers with the Screen Actors Guild-American Federation of Television and Radio Artists to go on strike in late July.

    To some, Jones’ decision to allow AI to replicate his voice raises questions about voice acting as an art, but also potentially helps lay the ground work for transparent AI agreements that fairly compensate an actor for their performance with consent. Zeke Alton, a voice actor and member of SAG-AFTRA’s interactive media agreement negotiating committee, said it’s “amazing” that Jones was involved in the process of replicating his voice.

    “If the game companies, the movie companies, gave the consent, compensation transparency to every actor that they gave James Earl Jones, we wouldn’t be on strike,” Alton said. “It proves that they can do it. They just don’t want to for people that they feel don’t have the leverage to bargain for themselves.”

    Hollywood’s video game performers announced a work stoppage — their second in a decade — after more than 18 months of negotiations over a new interactive media agreement with game industry giants broke down over artificial intelligence protections. Members of the union have said they are not anti-AI. The performers are worried, however, the technology could provide studios with a means to displace them.

    Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months.

    Jones, who overcame a childhood stutter, said in previous interviews that he was “happy to be able to talk at all, because there was time when I couldn’t.” His goal, he said, was for his voice to be clear. Speaking with The Associated Press in 1994, he said that he tried to make Darth Vader “more human and more interesting.” But George Lucas, the filmmaker who created ”Star Wars,” advised him to “go back to a very narrow band of expression” because the mechanical parts of the villain’s body would make it difficult for him to sound more human.

    Neither Skywalker Sound nor Respeecher responded to a request for comment. But a sound editor with Skywalker Sound told Vanity Fair that Jones signed off on the use of archival recordings to keep Darth Vader alive and that he guided Darth Vader’s performance for the Disney+ show as “a benevolent godfather.”

    Voice actor Brock Powell said that the ability to use an actor like Jones’ voice in perpetuity could eliminate the need for actors who specialize in matching voices. That type of work provides steady jobs for many performers, they said, who can recreate a famous voice for video games, animated series and other types of media.

    “To quote ‘Jurassic Park,’ the scientists were so preoccupied with whether or not they could, they didn’t stop to ask if we should,” Powell said.

    That type of AI use could also reduce “ingenuity” in acting, they said, because new actors might not have the chance to come in and reinvigorate a role.

    Crispin Freeman, an actor who has done voice matching work replicating Orlando Bloom’s voice in “Pirates of the Caribbean,” said that the technology may take away voice matching roles, but doesn’t harm “the ability of future artists to blaze their own trails” in new roles.

    “We always need to keep reinventing new stories as we’re going forward, and not simply relying on the old stuff,” he said. “Rather than worrying, ‘Oh, will someone else be able to be Darth Vader,’ why don’t we make a new ‘Star Wars’ character that’s as compelling as Darth Vader?”

    Jones’ contract could set an example of properly bargaining with an actor over their likeness, said Sarah Elmaleh, chair of SAG-AFTRA’s interactive negotiating committee. Elmaleh, a voice actor, said there is a chance for these tools to be used in “meaningful, smart artistic decisions.”

    “I worry about a world where we conflate the superficial qualities of a person’s voice with their performance,” she said. “I can’t help getting away from the metaphor that’s baked into this character itself, which is, when you conflate the man with the machine, you become a tool for other forces, other powers that be.”

    Alton, the voice actor, said he wonders about what the use of Jones’ voice as Darth Vader would mean if it were used for another 100 years and people didn’t remember “all of the different things that built him into the iconic character that he was.”

    “It’s just a disembodied voice at that point. It’s part of the neutering of art that generative AI has the potential to do, and it’s sort of a heady subject, but it’s very important for us as a world to consider what we want our entertainment and our art to be in the future,” he said. “Do we want it to be human, or do we want it to be bland?”

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  • 3 Heartland Actors Who Are Real Life Cowboys

    3 Heartland Actors Who Are Real Life Cowboys

    Heartland, a popular Canadian TV series, has captivated many viewers with its heartfelt stories and ranch setting. The show’s charm partly comes from the actors who bring the characters to life. At Heartland’s center is Amy Fleming, played by Amber Marshall. Amy cares deeply for her family, loves animals, and feels connected to nature. Remarkably, Marshall shares these qualities in real life. She truly cares about animal welfare and ranch life. Her commitment goes beyond acting, perfectly blending fiction and reality.

    Ty Borden plays a key role in Heartland. Graham Wardle does an awesome job portraying Ty. He went from a troubled teen to an expert horseman and loving spouse. This shows how people can turn their lives around and grow. Wardle is really into horses and ranching himself. He connects with his character in a real way. It makes Ty’s story hit closer to home. Audiences feel that honesty when watching Wardle perform. He brings so much to Ty’s journey through hard times and happy endings. Wardle is great both on-screen and off as a horse lover and ranching champion.

    Amy Fleming (Amber Marshall)

    Amy Fleming plays Amber Marshall on Heartland, the Western show loved globally. Amber Marshall portrays Amy flawlessly on the screen. Fleming’s love for family runs deep. The ranch means all for her astounding ability to connect with animals. Marshall’s remarkable talent mesmerizes, but true passion entrances viewers further. Amber Marshall’s real passion for animals and ranch living shines through her whole being. She grew up on a Canadian farm, developing a deep bond with animals from childhood. This background formed the basis for portraying Amy Fleming, drawing from her own life to give the character true authenticity. Marshall’s genuine affection for animals reaches far beyond the “Heartland” set, as she actively supports various animal welfare causes and groups.

    As an ambassador with the Ontario SPCA and Humane Society, Marshall’s contribution to animal welfare is remarkable. She utilizes her platform, raising awareness about cruelty to animals. Marshall promotes responsible ownership of pets too. Her advocacy reflects personal values and beliefs. Marshall’s compassion and empathy echo Amy Fleming’s character. Marshall is not just an actress but a real-life ranch owner too. She lives on a ranch in Ontario with her husband Shawn Turner. There, they care for many animals like horses, dogs, and cats. Marshall feels a deep bond between nature and its creatures. This echoes Amy’s love for ranch life in Heartland. Marshall’s ranching lifestyle shows her passion for upholding rural traditions.

    Learn about Cowboy Ranch Dressing

    Ty Borden (Graham Wardle)

    Wardle’s depiction of Ty Borden in Heartland has imprinted audiences. His portrayal catches hearts. Ty becomes a skilled horseman and loving husband after a few troubles. Wardle’s emotive, layered performance­ made Ty’s redemption story connect with viewers. Wardle is passionate about horses and ranch life on and off set. This deep bond with the role stretched past the scripted lines. Wardle portrays Ty in an authentic, in-depth way. He used his own life­ and interests to develop the character. Growing up in rural Vancouver Island, Canada, Wardle became very interested in horses as a kid. His background gives life to Ty’s character. It also shows Wardle’s real passion for the world of horses.

    Wardle has much skill with horses, shown on Heartland and beyond. He is a talented rider who trained for years. He took part in horseback sports and contests, mastering his craft. Wardle interacts smoothly with horses onscreen due to this dedication. Even off-set, his life centers around horsemanship skills. Wardle, like­ Ty, treasures ranching traditions. His character mirrors his deep ties to rural living. Simple ranch life soothes Wardle’s soul. He embraces land-rooted values. Audiences connect with Wardle’s genuine ranch spirit. Wardle embodies Ty’s authentic, moral nature.

    Jack Bartlett (Shaun Johnston)

    Jack Bartlett is a respected figure in Heartland. Shaun Johnston portrays him with wisdom. As the Fleming family leader, Jack guides others. His advice is sage and unwavering support. Yet Johnston’s performance makes Jack truly remarkable. He gives Jack authenticity and depth that audiences appreciate. Shaun Johnston has a strong bond with Jack Bartlett. It comes from respecting tradition, family, and Heartland values. Johnston grew up in Alberta, Canada. This upbringing reflects Jack Bartlett’s background. Both developed a deep love for the land and its people. Johnston’s life shaped his portrayal of Jack. It also shows his dedication to honoring rural traditions and values.

    Throughout his career, Johnston cultivated a reputation as one of Canada’s most versatile and talented actors. His body of work spans film, television, and theater. Still, it is playing Jack Bartlett in Heartland that earned him widespread fame. Johnston’s nuanced performance brings Jack to life with authenticity. He captures the essence­ of a principled, wise, and unfailingly loyal man.

    Final Note

    Heartland is a series with powerful messages. The actors, Amber Marshall, Graham Wardle and Shaun Johnston breathe life into Amy, Ty and Jack. They transport fans to the ranch with compelling performances. Their roles go beyond entertainment. The characters have become beloved icons. Amy’s compassionate­ soul, Ty’s unwavering spirit, and Jack’s wisdom inspire audiences worldwide. The show’s magic lies in its authenticity, shown from the actors’ commitment. Every scene underscores timeless virtues like empathy, resilience­ and family bonds. The journey of these three talents transcends television, leaving a mark on viewers’ hearts. Heartland’s legacy is upheld by actors who live the ranch’s ethos on and off screen.

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