In Delhi’s ever-evolving cafe culture, quaint little spaces are not just surviving-they’re thriving! Whether you’re in the mood for a quick coffee break or an elaborate brunch, the city offers an array of delightful nooks waiting to be explored. One such hidden gem I recently discovered is Uncle’s, a charming cafe nestled in Vasant Vihar’s Main Market. From the moment I stepped in, it felt like an escape from the city’s hustle and bustle. The cafe’s all-glass windows adorned with eye-catching artwork struck a perfect balance between minimalism and vibrancy. And the vibe? Absolutely spot on. But what truly sets Uncle’s apart isn’t just their complimentary Uncle Chips chaat-it’s their inventive food menu, bursting with bold flavors and creative twists in every bite.
Seated in a cozy corner, we were handed a special eight-course menu, promising a medley of flavors. We kicked things off with drinks, starting with their signature cocktail Desi Andaz, a delightful concoction of Indian Scotch and potli masala. Soon, we were treated to an extravagant spread featuring combinations that pushed the boundaries of imagination.
Our culinary journey began with Chakna 2.0. Why 2.0, you ask? Because their first offering, the Uncle Chips chaat, was just the warm-up! The Chakna 2.0 platter showcased three innovative dishes-Tangy Noodle Salad, Chilli Cheese Churros, and my personal favorite, Millet and Beetroot Chaat. The tangy noodle salad, with its crispy noodles, fresh veggies, and tamarind dressing, perfectly catered to the Indian palate.
(L-R) Tangy Noodle Salad, Chilli Cheese Churros, and Millet and Beetroot Chaat
But it wasn’t the noodle salad or millet chaat that stole the show-it was the Chilli Cheese Churros. Typically a dessert, this savory rendition was coated in a house-blend spice mix and paired with lemon aioli and chili yogurt. The cheesy churros delivered a delightful explosion of flavors, perfectly complementing the rest of the spread without overpowering it.
Next, we indulged in a plate of Desi Chicken Parm. Yes, you read that right. This glocalized take on the classic dish had everything-crispiness, spiciness, and tanginess. Topped with gooey Himalayan cheese and zesty tomato salsa, every bite was an indulgent yet comforting experience.
Desi Chicken Parm.
Following that, we tried two tandoor specialties: Peppy Paneer Tikka and Hide & Seekh. The paneer tikka, paired with roasted pepper, had just the right hint of spice. However, the Hide & Seekh-batter-fried lamb seekh kebabs served with coriander pesto-fell short. The outer layer was crispy but the meat filling, unfortunately, was too dry for my taste.
Hide & Seekh kebabs.
No meal is complete without carbs, and Uncle’s took this to heart with their next offering-a fusion of kulcha and prawns. Instead of the usual curry, tandoori prawns were served atop soft kulchas. The combination of crispy prawns and pillowy bread was perfectly spiced and balanced.
Kulcha and Prawns.
And just when we thought the feast was over, the main course arrived, featuring Batata Byadagi Blast, Butter Chicken with Chili Cheese Naan, and Coastal-Spiced Pork Belly with Egg Rice. Each dish left me at a loss for words. The baby potatoes cooked in Byadagi chili and coconut curry were creamy and paired beautifully with fluffy sponge dosas. The butter chicken and chili cheese naan duo was divine, but the true highlight was the spiced pork belly with egg rice. Served in a bento box, the tender meat was perfectly seasoned and brought a wave of nostalgia with its presentation.
(L-R) Batata Byadagi Blast and Coastal-Spiced Pork Belly with Egg Rice.
Despite being stuffed, we couldn’t resist the special dessert-The Chipwich. This decadent double chocolate chip cookie sandwich, filled with Wayanad vanilla and Pondicherry chocolate chip ice cream, was pure bliss and the perfect ending to our gastronomic adventure.
The Chipwich.
All in all, my time at Uncle’s was unforgettable. This cozy cafe is the perfect spot to visit with friends, family, or that special someone!
Where: Main Market, 24, Community Center, Basant Lok, Vasant Vihar, New Delhi
Championing disability inclusion is the Enabling Lives Festival, which is back for its fourth edition.
The four-day event, which starts on Nov 30 and is organised by SG Enable, aims to showcase the talents of the disability community.
From pop-up markets and interactive workshops to accessible tours and artistic showcases, there will be numerous activities across 10 locations islandwide like the Enabling Village in Redhill, Esplanade and Gardens by the Bay.
The festival concludes on Dec 3 with the Goh Chok Tong Enable Awards ceremony to mark the International Day of Persons with Disabilities.
Enabling Village Open House
The Enabling Village Open House is a one-day event on Nov 30 that allows the public to visit an inclusive gym, preschool and playground at Enabling Village in Lengkok Bahru, as well as learning more about assistive technology and inclusive accessibility.
Those looking to do some Christmas shopping can head over to the i’mable Gift Market, which will showcase more than 30 makers with disabilities. Shoppers can look forward to a wide selection of handcrafted treasures and F&B items.
Want to get creative? There will be a slew of interactive workshops where participants can learn how to make macrame wristlets, crochet flower bouquets and batik.
Additionally, there is an artistic showcase, Inclusion in Motion: Moving Art Forward, that’s curated by social impact organisation Art:Dis. From dance to theatre, there will be performances co-led by artists with disabilities.
One example is Speaking of Which by NAC Young Artist Award recipient Zhuo Zihao. The performance explores stories of resilience, love and self-reflection through a spoken dance showcase by three writers with disabilities, brought to life by three emerging dancers.
Also by Art:Dis are inclusive storytelling sessions, as well as hands-on workshops on cyanotype and gelli-plate printing.
Art jam with kitties, sensory tours and more
Throughout the rest of the Enabling Lives Festival, there are multiple activities to look forward to.
One highlight is semi-guided art jamming with cats by Wildflower Studio. Participants will get to enjoy painting with guidance while the furry felines — who are all rescue cats — roam around the room freely. You’ll also get to feed the cats lunch and have a “photoshoot” with the kitties. Tickets cost $48 per pax.
Also by Wildflower Studio is Chill and Paint in Monochrome, where participants have to put on glasses that obscure their paint choices, inviting them to paint with intuition and spontaneity. This art jam option also allows you to spend some time with the rescue cats and tickets cost $40 per pax
The art jamming sessions by Wildflower Studio will be available across all four days of the festival at Enabling Village.
There’s also CAREforward event on Dec 1 at Punggol Regional Library that has activities like paper quilling workshops, healing journal workshops and a dance performance called Stacked Stories – A Balancing Act, which explores themes of equilibrium and relationships.
In the atrium of the library is CAREcottage Bazaar, which will showcase works of art created by caregivers of special-needs persons who have turned their passion into purpose.
Over at the Esplanade Mall, inclusive business Foreword Coffee will have a social impact pop-up on Nov 30 and Dec 1.
This seeks to bring together people and social impact organisations to share their work while creating awareness for their initiatives through a pop-up market, coffee appreciation sessions for people with disabilities and their caregivers, and fireside chats where deaf artist Lily Goh will share lived experiences of deaf persons in Singapore.
Gardens by the Bay will host activities as well on Dec 2 and 3.
Among them is a new tactile and sensory tour at Gardens by the Bay. This is a pilot programme to provide inclusive experiences for persons with visual impairment.
Other activities include a guided walking tour for the hard-of-hearing community, a sensory-friendly tour for children with autism and craft workshops at the Flower Dome.
More information can be found at the Enabling Lives Festival 2024 website.
Dr Avin Thaliath’s A Baker’s Journey- Science in the Art of Baking is an eloquent blend of culinary science, historical anecdotes, and practical artistry. This book explores the intricate processes that define the craft of baking while celebrating the transformative power of bread-making as both an art and a science. Thaliath, a seasoned pastry chef and educator, has penned a resource that caters to novices, home bakers, and professionals alike.
Content Overview
The book is thoughtfully divided into chapters, each unravelling the mysteries of core ingredients like flour, sugar, and yeast, and their chemical interplay in baking. Starting from fundamental insights such as the anatomy of a wheat kernel to advanced topics like dough dynamics and gluten structure, Thaliath systematically builds the reader’s understanding. Particularly engaging are the sections on “Magic Within” and “Heat’s Serenade,” where he marries chemistry with culinary techniques. Recipes sprinkled throughout the chapters offer practical applications of the scientific principles discussed. From classic baguettes to quinoa bread and rye loaves, these are crafted with precision and clarity, making them approachable yet rewarding for all skill levels.
Strengths
Scientific Depth: Thaliath excels in making the science of baking accessible. Concepts such as the interaction between protein and water in gluten formation are presented with clarity, ensuring readers grasp the “why” behind techniques.
Cultural and Historical Insights: Stories like the origin of the baguette or the evolution of focaccia root the book in cultural richness, offering a narrative that’s as delightful as the recipes themselves.
Professional Expertise: With years of teaching and baking experience, Thaliath’s passion and depth of knowledge shine through. The book is a testament to his belief in blending tradition with modern techniques.
User-Friendly Format: The structured layout, complete with tables, illustrations, and easy-to-follow recipes, enhances usability.
Areas for Improvement
The book, while comprehensive, is primarily ingredient-focused. Expanding on presentation and plating techniques, especially for aesthetic-driven bakes like pastries, would enrich the reader’s journey further. Additionally, more visual aids, such as step-by-step photos for complex techniques, could enhance its appeal to visual learners.
Conclusion
A Baker’s Journey – Science in the Art of Baking is not just a cookbook; it’s an educational odyssey. Dr Avin Thaliath has successfully bridged the gap between scientific precision and culinary passion, creating a resource that will undoubtedly inspire bakers to innovate and perfect their craft. This book is a must-have for anyone passionate about understanding the science behind their bakes and elevating their skills to professional levels.
Rating: 4.5/5
I recommend this book for culinary enthusiasts, aspiring bakers, and seasoned professionals seeking to deepen their baking knowledge.
Citizen: The Essence of Time by Jack Forster, US$195 at bookstores and online. For more, visit citizenwatch.com.Supplied
Citizen celebrates its 100th with a retrospective coffee-table book and a clutch of new watches
For a 10th anniversary, it’s traditionally recommended that a couple exchange a gift made from aluminum or tin. For a 60th, anything in diamonds will do. There is no official material designated for a 100th anniversary, but for Japanese watchmaker Citizen, it might as well be titanium. Super Titanium, the brand’s proprietary alloy, to be precise.
Titanium, the ultralight material used in spacecraft and Formula 1 cars, has become the “it” metal for a wide range of luxury watches in recent years, but at Citizen, it’s nothing new. In 1970, Citizen released the X-8 Chronometer, the world’s first watch with a titanium case, and the first of many titanium watches in the brand’s lineup. It’s just one of many notable firsts in the company’s century-long history.
Citizen was founded in 1924 by Japanese clock and watch dealer Kamekichi Yamazaki with the goal of making affordable, reliable and stylish watches for the masses. Citizen has spent the past 10 decades working toward that goal, from the modest and reliable Citizen F wristwatches of the 1930s and ‘40s to modern bestsellers such as the oversized Ecozilla diver’s watch. Along the way, Citizen pioneered ultra-thin watches (the 1962 Diamond Flake, the world’s thinnest three-hand watch), light-powered models (the 1976 Crystron Solar Cell, the first sun-harnessing watch with an analog display) and precision timepieces (the 2018 Calibre 0100, the most accurate watch ever made).
These and many other accomplishments are summed up in Citizen: The Essence of Time,a lushly illustrated retrospective coffee-table book from Assouline. A selection of new and archival watches released in time for the anniversary, however, illustrate the brand’s journey just as well, including a limited-edition reproduction of Citizen’s first pocket watch and the Satellite Wave X, which combines a light-powered Eco-Drive movement with a GPS timekeeping system in a case made, naturally, of Super Titanium.
Stays from 50,500 kr in the winter and 68,300 kr in the summer.Supplied
In the middle of Iceland’s Highlands is the geothermal valley Hveradalir, where small pools of water bubble and steam. Until very recently, only the most intrepid campers or visitors up for a very long day trip from the capital, Reykjavik, could get to this part of the country. That changed with the opening of Highland Base, a new resort from Blue Lagoon.
Surrounded by the Kerlingarfjöll mountain range with views of two glaciers, Highland Base is a retreat for travellers who want to pitch a tent and adventurers who like to pair their hikes with a dip in private outdoor hot tubs overlooking the expansive terrain. The site was once home to a ski school, where young Icelanders would come to learn the sport during summer breaks from school. Receding snow levels meant the school had to close, but Blue Lagoon preserved that history and incorporated its accommodations into the new property, which includes a main hotel and individual lodges offering an added layer of privacy. Their walls are dotted with vintage shots of all-terrain vehicles navigating the unpaved gravel road that continues to be the only way to access this part of the country.
Blue Lagoon has created accommodations that reflect the hotel’s surroundings. Wood exteriors and muted greys and greens in the interior mimic the natural environment. Oversized picture windows have benches underneath them, perfect for reading or catching the Northern Lights when they appear. Three pools shaped into the terrain are filled with geothermal waters from nearby Hveradalir hot springs. Hikers of all levels will find trails to suit their curiosity (e-biking is also an option) while in the winter, skiing and snowmobiling are available.
Non, a new liquid from Australia, aims to fill a gap with its line of “wine alternatives.”Supplied
Zero-proofing your way through happy hour is no problem these days, thanks to the abundance of tasty alcohol-free cocktails. What comes after, though, is much, much harder, especially figuring out what to drink with dinner. Whether they’re too sweet or lacking in weight, vibrancy and complexity, few non-alcoholic wines can stand up to a rich meal, especially one with multiple courses.
Non, a new liquid from Australia, aims to fill this gap with its line of “wine alternatives,” all of which have the depth of flavour and bright acidity to make temperance pairings with decadent meals a reality. The secret to its success is at least partly owing to the fact that the label’s founder didn’t set out to make non-alcoholic wine in the first place. “Non-alcoholic wine, or de-alcoholized wine, is wine that has had alcohol removed,” says founder Aaron Trotman. “Non isn’t trying to mimic any particular wine style. It’s an alternative with its own identity. It’s about balance and flavour, not faking something.”
Despite that mission statement, if someone handed you a glass of Non1 Salted Raspberry & Chamomile with no explanation, it’d be easy to assume it was simply a fresh and dry sparkling rosé with a maritime influence and some lovely fruit notes. The process Trotman developed to achieve this is proprietary, but we know the lively acidity comes from verjus (juice from underripe grapes) and the complexity is the result of playing with natural ingredients including tea, herbs, fruits and spices to strike the perfect balance. The first three NON expressions took two years of testing and tweaking, but Trotman is now at a point where he can launch at least one new addition to the line per year.
At present, besides the aforementioned Non1, two other expressions are available in Canada: Non3, a light sparkler with cinnamon and yuzu and Non7, a darker, complex and full-bodied stewed cherry-coffee drink. All three are offered in a kit or individually through Acquired Taste (acquiredtaste.ca).
Heart On opens Feb. 8, 2025. For more, visit mbam.qc.ca.Supplied
A lushly hued political commentary done in oil on canvas. A 16-mm film titled Rat Life and Diet in North America. A topical scope encompassing feminism, ecological concerns, race and civil rights. These are merely a few elements in the curriculum vitae of the iconoclastic Canadian artist Joyce Wieland.
“Her work really stands the test of time,” says Anne Grace, curator of modern art at the Montreal Museum of Fine Arts, about Wieland, who died in 1998. The influential innovator, known for her multidisciplinary practice that included textile work, painting and film is the subject of an upcoming exhibition called Heart On, which will open at the MMFA in February.
Curated by Grace and Georgiana Uhlyarik, the Fredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario, the show will reveal the expansive purview of Wieland’s work over the course of her 30-year career. “[The show] is a true collaboration between the two institutions,” says Grace, adding that both teams involved in the process of putting the far-reaching show together were “very aware of the fact that presenting Wieland is different in Montreal from Toronto, because she’s much less known in Montreal – although certainly is beloved by artists.”
Despite the lack of cross-Canadian recognition during her lifetime, Wieland’s oeuvre is marked by impressive feats including being the first living woman to have retrospectives mounted at the National Gallery of Canada in Ottawa and the AGO. Such accolades, Grace says, certainly resonated with her personally. “I did my university undergrad in Toronto in the 1980s,” she says. “At that time, Joyce Wieland was the Canadian woman artist.” She says that the show will tap into the pan-generational appeal of Wieland’s work. “She really was prescient as an artist,” Grace says. “Both in terms of the materials she chose to work with, as well as the themes that she dealt with.”
Heart On opens Feb. 8, 2025. For more, visit mbam.qc.ca.
JEWELLERY
For its new high jewellery collection, Van Cleef & Arpels sets sail on a treasure hunt
The jewellery pieces in Van Cleef & Arpels’s new collection will play on recurring themes from the French house’s almost-130-year history – notably nautical elements and literary inspirations.Supplied
Earlier this fall, a treasure chest appeared on the doorsteps of jewellery-world insiders. Inside, a kaleidoscope presented an under-the-sea view in a soft palette of rainbow hues, and a scroll, illustrated by French comic book artist and author David B. with a tropical scene of birds and greenery, invited the lucky recipient to Miami, where Van Cleef & Arpels would unveil its latest high jewellery collection, Treasure Island.
The black-tie affair would take place in mid-November at the Vizcaya Museum and Gardens, a lushly landscaped Italianate villa that anchors the shoreline of Coconut Grove. The jewellery pieces promised to play on recurring themes from the French house’s almost-130-year history – notably nautical elements and literary inspirations – by distilling Robert Louis Stevenson’s adventure saga into bejewelled wonders. “Robert Louis Stevenson’s Treasure Island is a book laden with universal resonance and a powerful collective imagination,” noted Van Cleef & Arpels’ former president and CEO Nicolas Bos, who is now the Group CEO of house owner Richemont, in the announcement of the collection. “It has left its mark on millions of readers and influenced various artistic disciplines, including painting, poetry and the decorative arts.”
The prelude to the jewellery collection’s story is Van Cleef’s embrace of vibrant colour in the stones it often selects for its pieces. The tale itself unfolds in three chapters. The first grouping focuses on maritime navigation and includes a schooner clip with sails that fan out in a sea of diamonds as well as a necklace that appears knotted together in yellow and white gold rope. The second chapter incorporates the flotsam and jetsam of the seaside into blockbuster bijoux including the Coquillage Mystérieux, a scallop shell clip inlaid with rubies, emerald and a cultured white pearl. The tale ends with the bounty of a treasure chest, pre-Columbian style coin bracelets and intricate jawbreaker rings that capture the exuberance of discovery.
What in the wild, wild world of sports is going on here?
Sports and art coming together across America?
These are not typical bedfellows. Their separation begins in middle school. The art kids go one way, the jocks the other.
Sports fans and art lovers can follow their separate tracks through the course of long lives, rarely intersecting. Occasionally around movies. Occasionally around music. Fashion–sneakers–perhaps. But in an unusual occurrence, art museums across the country–enough to represent a trend, not a coincidence–are inviting sports fans into the world of fine art with exhibitions showing how these opposites can attract.
Get In The Game
Through February 18, 2025, the San Francisco Museum of Modern Art presents “Get in the Game: Sports, Art, Culture,” exploring the powerful—and sometimes contentious—place of athletics in American life. “Get in the Game,” together with six sports-related companion exhibitions, is the museum’s most expansive presentation dedicated to a single subject to date with more than 200 artworks and design objects.
Viewers will discover the sense of community found in depictions of pickup basketball games, minor league baseball teams, neighborhood swimming clubs or a lineup of fellow surfers. Audiences will also encounter artists and designers inspired by athletes advancing conversations about gender, race and identity, as well as artworks responding to the remarkable achievements of sports figures such as Muhammad Ali, Michael Jordan, Colin Kaepernick, Diana Nyad, Venus Williams, and Zinedine Zidane. Woven throughout “Get in the Game”will be stunning works of contemporary art and design, interactive installations, and historical videos reconsidering political and cultural issues through the lens of sports, athleticism, competition, and play.
Highlights of “Get in the Game” include moving artworks by artist/athletes Matthew Barney, Rosalyn Drexler, Reggie Burrows Hodges, Savanah Leaf, Mario Ayala, Shaun Leonardo, and Lucy McRae, who have been influenced by their experiences in sports such as football, volleyball, skateboarding, wrestling, tennis, and track.
Museumgoers will be able to play interactive artworks by contemporary artists: Maurizio Cattelan’s 22-person foosball table, Stadium (1991), and Gabriel Orozco’s Ping Pond Table (1998), a four-way ping-pong table with a square pool in place of a net.
Beyond fine art, “Get in the Game” features dozens of innovative designs for sports gear, gaming and fashion, from Formula One racecar steering wheels to a 2022 ensemble from Virgil Abloh’s final Louis Vuitton collection. Fans can appreciate the artistry and unforgettable design of Michael Johnson’s gold running shows and Nike’s original Air Jordan basketball shoes. Amateur athletes can also follow the awe-inspiring design evolution and technological advances of surfboards, tennis racquets and football helmets.
Reflecting the evolving field of play, the exhibition integrates meaningful designs from recent years, such as the Cheetah Xceed prosthetic running leg, developed by biomedical engineer Van Phillips (himself an amputee), and the Refugee Nation Flag, designed by artist Yara Said, a Syrian refugee now based in Amsterdam.
Strike Fast, Dance Lightly
George Bellows (American, 1882 – 1925), ‘Club Night,’ 1907. Oil on canvas. 43 x 53 1/8 in. (109.2 x 134.9 cm). National Gallery of Art, Washington, John Hay Collection, 1982.76.1.
Courtesy National Gallery of Art, Washington.
Stick and move at the Norton Museum of Art in West Palm Beach, FL where “Strike Fast, Dance Lightly: Artists on Boxing,” represents the largest comprehensive survey of artistic representations of boxing in more than 20 years, featuring paintings, videos, sculptures, and works on paper by artists such as Jean-Michel Basquiat, Edward Hopper, Ed Ruscha, Alison Saar, Gary Simmons, Jeffrey Gibson, and Amoako Boafo. The exhibition explores the global sport and its cultural impact through the lens of over 80 artists–including drawings by Muhammad Ali!
Featuring more than 100 artworks from the 1870s through the present day, the Norton’s one-of-a-kind presentation illuminates the connections between boxing and society, while underscoring the rich history of a centuries-old sport and its participants, through all its complexities. The exhibition showcases artworks that lend boxing, and its legends, nuance and intimacy. Within “Strike Fast, Dance Lightly,” the boxer and the act of boxing serve as a metaphor for a wide range of socio-political issues through a series of distinct categories: the body, “in the ring,” the artist as boxer, tools, and ephemera.
The exhibition can be seen through Sunday, March 9, 2025.
A Vision Of Sports
Baltimore’s American Visionary Art Museum picks up the ball and runs with “Good Sports: The Wisdom & Fun of Fair Play,” an exhibition weaving together art created by global and local visionary artists focused on both sports and play imagery, as well as film, photography, sculpture, fascinating sports medicine factoids, and quotes reflecting the wisdom of sports legends. The museum defines “visionary artists” as, “self-taught individuals, usually without formal training, whose works arise from an innate personal vision that revels foremost in the creative act itself.”
“Good Sports” brings a wide and creative view of both the history and current state of sports—one full of fun, wisdom, and passion—all to exalt sports as one of humankind’s most fabulous avenues for becoming our best selves. While praising the capacity of sports to impart important ethical lessons of fairness and civility, this exhibition will not ignore the dark underbelly of competition and its potential for corruption: rigging, drugging, greed, gambling, injury, exclusion, and woeful race and gender discrimination.
The exhibition will remain on view through August 31, 2025.
Skate Or Die
J. Grant Brittain is one of the most widely recognized and influential skateboard photographers. In 1987, “The Push,” a photo of Tod Swank, made the cover of Transworld magazine, becoming one of the most recognizable skateboarding photos. The Orlando Museum of Art presents Brittain’s first museum exhibition retrospective offering a chance to see a collection of works from the 1980s which has inspired subsequent generations.
Brittain most prominently captured photos of an 11-year-old Tony Hawk and was instrumental in documenting the formative years of the legendary skateboarder’s career. The two have remained life-long friends.
Poster House in New York, the first museum in the United States dedicated to the global history of posters, presents “Just Frame It: How Nike Turned Sports Stars into Superheroes” through February 23, 2025. Gen-X sports kids will receive a full-on nostalgia trip through the wildly popular posters that wallpapered the bedrooms of their childhoods.
Jordan–lots of Jordan–Charles Barkley, Andre Agassi, Nike’s roster of celebrity athletes returns to their prime through 60 posters capturing a cultural moment where sports stars ascended to rival rock stars and movie stars for fame, money, and attention, never to go back.
The successful marketing of individual athletes, including through posters like this, with Nike at the forefront of the aesthetics and branding and money, signified a sea change in sports and sports fandom. No longer was the team primary, the player was.
Après Ski
Known as “Ski Town USA,” Steamboat Springs, CO’s art museum presents “Art in Sport: Motion, Emotion, Moments, and Light,” showcasing photography, sculpture, paintings, and prints capturing the drama, passion, and dynamic motion of sports. Shred fresh powder in the morning then explore the intersection of art and sport through the work of prominent local artists as well as those with ties to Steamboat Springs and Colorado.
The presentation opens on December 6, 2024, running through April 12, 2025.
Sport = Art
In a prelude to Art Basel Miami Beach the first week of December, OG4ever gallery presents its latest exhibit, “Sport = Art,” in the heart of Wynwood. Opening on Saturday, November 16th, this showcase reveals the deep connection between athleticism and artistry, paying homage to sports as a testament to physical excellence and cultural expression.
From bronze sculptures made from the actual molds of the hands and feet of soccer legend Pelé to paintings of iconic moments in sports, these international artists share their passion for creating artworks that redefine legendary figures and moments in sports history.
“Sports Artists” To Know
Ernie Barnes, ‘The Devil and Doodazzle Dakins,’ circa 1980. Oil on canvas Sight 27 3/8 x 21 1/8 inches (69.6 x 53.7 cm)
Courtesy Doyle Auctions
Sports fans looking to engage with the fine arts, but not knowing where to begin are advised to start here:
Sports has remained a constant in the life and work of Ernie Barnes (1938-2009). Studying art while playing football at North Carolina Central University, Barnes was drafted by the Baltimore Colts in 1959. Though injuries limited his NFL playing career to a five seasons, during his tenure, Barnes befriended New York Jets owner Sonny Werblin, who would become a notable patron, commissioning Barnes to create new works and helping launch the young artist’s first solo exhibition.
Basketball is a favored subject of Barnes, and on November 20, 2024, DoyleAuction House hosts a sale featuring his painting The Devil and Doodazzle Dakins (1980).
Hank Willis Thomas’ social justice art practice routinely calls on sports when demonstrating America’s racial inequalities. Gary Simmons does the same through boxing rings and shoes and gloves.
Former major leaguer Micah Johnson (b. 1990) has been making major waves in contemporary art, particularly in the worlds of digital art and NFTs.
Does this image of Ariel look familiar? You likely came across it scrolling through Tumblr and Buzzfeed in the mid-2010s.
Maybe you remember the one of Winnie The Pooh crouching miserably in a deforested wood, or like me, you chuckled darkly at the one that shows Bambi’s head mounted on the walls of a palatial living room.
These are just a few images in a series dubbed Unhappily Ever After, which transplants Disney characters into a world scarred by climate change, poverty, and other environmental and social issues.
After a two-year hiatus, their creator, US-based animation storyboard artist Jeff Hong — himself an alumnus of Disney — is back with five new instalments created specially for Gardens by the Bay.
These new pieces, along with 10 others in the series, are on display in Asia for the first time as part of Gardens by the Bay’s Race To Sustainability! programme for students.
When we met Jeff last week at the programme’s opening, he called the event and its venue the “perfect match” for his artwork, as it gave him the opportunity to address recent issues, such as the Maui wildfires, to a new generation. (Most of the students participating in the event were either too young, or hadn’t been born, when Unhappily Ever After first started.)
“I like the reaction it gets,” he said, when we mentioned overhearing students discussing the homework assignments inspired by his work.
“Even if they see it as funny, it still elicits a reaction from them because they know all these Disney characters. Seeing them in these more realistic environments is maybe kind of shocking to them, almost.”
You recently came back to Instagram after a couple of years. What were you up to during that time and what brings you back now?
I work full-time as an animation storyboard artist. So in my full-time job I work 40 to 50 hours a week in TV shows. The last project that I was on ended in July. It’s going to be on Apple, It’s called The Wonder Pets, and it’s a spin-off of an original series that was on Nick Jr 10 years ago.
I worked on the original series and now they’ve brought me back as a storyboard supervisor. Previously, I continually worked on different animated TV shows. When I’m not working, that’s when I have time to do more of my creative projects, like Unhappily Ever After.
What inspired you to create the Unhappily Ever After series, in particular, these five new pieces for Gardens by the Bay?
My first job was with Disney animation. I worked on Hercules, Mulan, Tarzan, and The Emperor’s New Groove when I was very young. I started at 17. That was my dream job.
I wanted to work for Disney and I got it right away. All of these Disney movies were like a love and a passion so I wanted to be a part of that. I still love the whole art form of 2D art.
I did four years at Disney and then after Disney I went to art school at the Rhode Island School of Design (RISD), where I majored in illustration. At Disney, I learnt how to be a better artist. And then at RISD, I learnt more about how to put intellectual and conceptual ideas into art.
I reconciled these two passions in art and made it my own by combining my love of fine art and Disney into my own series. I love Disney, but I also love fine art and conceptual art where art can have meaning. Art can have a message behind it and it doesn’t need to be a ‘nice’ painting. It could have a message that resonates with the audience.
What was the whole thought process and inspiration behind the new pieces?
With the theme of sustainability, I focused more on what’s happening in the environment, like global warming and rising water levels. I now live part-time in Hawaii, so I really see the effects of sea rise, weather, and fires-especially with Maui, where we had the Lāhainā fires last year.
I wanted to bring in pieces that highlight what affects Hawaii. So I did a new piece featuring Moana with the Lāhainā fires behind her, and another with Lilo on the shore as rising waters destroy the homes behind her.
How do you choose which Disney characters to feature in your work? Could you talk about how you connect their original narratives to the environmental issues that you highlight?
I feel lucky because Disney has such a wide cast of characters-animals, humans, and different ethnicities-so I could choose a topic and find a perfect character or animal to fit it. One of my first pieces was Mulan, which made me think of pollution in China back in 2014, and that really got the ideas flowing.
After that, I thought of Ariel emerging from an oil spill onto the beach. Very quickly, I was connecting Disney characters with specific human issues or things that affect the world. That made it pretty easy to get those first few images going. Almost within a week, I had 10 to 15 pieces.
How long does it take to even make one of these? What’s the creative process like?
For me, it’s very conceptual. I think of a topic I care about, and then I try to connect it with a character. One piece, which I call Losing Nemo, shows Nemo with the bleaching of coral reefs.
You hear about global warming affecting the waters and endangering coral reefs, so that was something I wanted to highlight. Almost immediately, I thought Nemo was the perfect character to use.
Disney is known for being very protective of its work, though. Have you encountered any issues with copyright infringement or complaints?
No, I’ve done this series for the last 10 years, and in every interview, I mention that I worked for Disney. So I’m sure they’re aware of my work. In the States, there’s something called fair use copyright, so as long as I’m not using their characters for commercial purposes, it’s fine.
What I’m doing is very educational, promoting a message, and is fine-arts-based. I believe that’s where I’m protected — I can use the characters and create almost a new art form using them while staying safe from copyright issues.
How has the public response to your work influenced how the series has evolved?
When I first started, it went viral online, so I could read people’s comments. These are very divisive issues-I remember when the Daily Mail in the UK posted it, there were a lot of mean comments about my work, saying it was depressing.
But I just ignore it; my art is about spreading a message. There are some people I can’t convince. Even in the US, there are people who think climate change is a hoax, who believe we should keep using gas and coal and do not think it affects the environment. I can’t change those people, but I hope maybe kids who see my work will see that those actions do have an effect.
And that it does affect their generation, in particular.
Yeah, because they’re the ones living on our planet longer than we’re going to be. They have the next decades or century to really be here.
Can you share a little bit more about what role art plays in inspiring action on environmental issues?
I feel like art is really important for sharing issues because it’s visual-something people can understand.
Especially using Disney characters, it’s easy for kids to see how their actions can affect the world. I hope that, for example, when they see Flounder surrounded by plastic, they think, ‘Maybe I shouldn’t toss my water bottle on the ground because it could end up in the ocean. It should go in a recycling bin where it can be properly handled.’
I don’t expect to change everyone’s mind, but if a few people see my art and think about how they can change the way they live, even one small step at a time helps make things a little better.
Works from Unhappily Ever After will be on display at Gardens by the Bay until Dec 1, 2024. Find out more here
Annabel’s hosts an opulent gala dinner during Frieze Week 2024, unveiling Wallace Chan’s latest masterpieces to London’s art elite and celebrities.
Annabel’s, the renowned private members’ club in London, orchestrated an unforgettable gala dinner marking the commencement of Frieze Week.
The exclusive soirée showcased the latest masterpieces by the internationally acclaimed jewellery artist and innovator, Wallace Chan, captivating an elite audience of art aficionados, celebrities, and discerning club members.
A Night of Artistic Splendour
Kent Ho, Wallace Chan and Emily Lam-Ho
The gala dinner, held within the sumptuous confines of Annabel’s, served as a glittering platform for the unveiling of Chan’s most recent creations: the exquisite jewellery piece “Fish in Waves” and the awe-inspiring titanium sculpture series “PETALS”.
These works, emblematic of Chan’s visionary approach to art and craftsmanship, stood as the centrepieces of an evening dedicated to the celebration of creativity and innovation.
As guests arrived, they were immediately immersed in an atmosphere of refined luxury, with the club’s interiors transformed into a veritable gallery showcasing Chan’s artistic prowess.
The “Fish in Waves” jewellery piece, a testament to Chan’s mastery of gemstone cutting and setting, drew gasps of admiration from attendees. Its fluid design and vibrant use of precious stones epitomised the artist’s ability to capture the essence of nature in wearable art.
Equally captivating were the “PETALS” sculptures, towering works of titanium that challenged preconceptions about the material’s use in fine art. These pieces, with their delicate forms belying the strength of their composition, stood as a bold statement on the intersection of technology and artistic vision.
A Gathering of Luminaries
Olivia Buckingham, Self-Portrait designer Han Chong and Eliza Rutson Pang
The guest list reads like a who’s who of the art world, fashion industry, and high society. Notable attendees included the artist himself, Wallace Chan, whose presence lent an air of gravitas to the proceedings. Olivia Buckingham, the fashion entrepreneur and style icon, was seen in an animated conversation with Ed Tang, the influential art advisor and curator.
Veronica Chou, the sustainability advocate and fashion entrepreneur, mingled with Emily Lam-Ho and Kent Ho, power couples known for their philanthropic endeavours and business acumen. Han Chong, the creative force behind the fashion label Self-Portrait, was spotted admiring Chan’s works alongside Eliza Ruston Pang, the art collector and patron.
The event also saw the attendance of Christina You, the gallerist and art consultant, and Gisela Winkelhofer, the respected art historian. Tatiana Kharchylava, the international model and muse, added a touch of glamour to the already star-studded affair.
Richard and Patricia Caring, the visionaries behind the Birley Clubs, which include Annabel’s, Mark’s Club, and Harry’s Bar, were the gracious hosts of the evening. Their presence underscored the long-standing commitment of their establishments to the arts, a dedication evident in the original artworks that adorn the walls of their venues.
A Fusion of Art and Entertainment
Katherine Jenkins performs at Annabel’s celebration of Frieze London 2024
The gala dinner was not merely a visual feast but a multisensory experience that engaged all facets of artistic expression. As guests savoured exquisitely prepared cuisine, they were treated to a special performance by Katherine Jenkins OBE, the celebrated Welsh mezzo-soprano.
Jenkins’ operatic renditions provided a sublime auditory complement to Chan’s visual masterpieces, her crystalline voice soaring through the opulent rooms of Annabel’s.
As the evening progressed, the atmosphere transformed from one of refined appreciation to a joyous celebration. Mimi Xu, the multifaceted artist known for her work in music, fashion, and art, took to the decks in Annabel’s Nightclub.
Her carefully curated DJ set, blending electronic beats with classical motifs, kept the party atmosphere alive well into the small hours, embodying the club’s reputation for hosting London’s most exclusive and entertaining events.
A Culinary and Mixological Adventure
In keeping with the artistic theme of the evening, Annabel’s presented a bespoke Frieze cocktail menu, created in partnership with Johnnie Walker Blue Label. The signature drink of the night, aptly named “Now and Always”, was a masterful concoction that mirrored the innovative spirit of Chan’s art and the whisky brand’s commitment to pushing boundaries.
The cocktail, a harmonious blend of Johnnie Walker Blue Label, rare botanicals, and artisanal ingredients, was served in custom-designed glassware that echoed the organic forms found in Chan’s sculptures. This attention to detail extended to the dinner menu, where each course was conceptualised as a culinary interpretation of Chan’s artistic themes, marrying flavour, texture, and visual presentation in a gastronomic tour de force.
Annabel’s: A Bastion of Art and Culture
Birley Clubs Creative Director Tatiana Kharchylava
This gala dinner marks the fifth consecutive year that Annabel’s has played host to elite art events during Frieze Week, solidifying its position as a cultural powerhouse in London’s social scene. The club’s commitment to the arts is evident not only in these annual showcases but in its day-to-day operations, where members are surrounded by a carefully curated collection of original artworks.
In previous years, Annabel’s has featured exhibitions by art world luminaries such as Damien Hirst, whose provocative pieces challenged and delighted club members, and Es Devlin, whose immersive installations transformed the club’s spaces into otherworldly realms.
This year’s focus on Wallace Chan’s work represents a continuation of this tradition, bringing the best of contemporary art and design to an appreciative and discerning audience.
Wallace Chan: A Master of His Craft
The decision to showcase Wallace Chan’s work during this year’s Frieze Week is a testament to the artist’s growing influence in the world of fine art. Chan, who began his career as a gemstone carver in Hong Kong, has evolved into a multidisciplinary artist whose work transcends traditional categorisations.
His journey from craftsman to internationally recognised artist is a story of relentless innovation and spiritual exploration. Chan’s pieces, whether jewellery or sculpture, are known for their technical complexity and emotional depth.
The “Fish in Waves” jewellery piece, for instance, demonstrates his pioneering use of titanium in high jewellery, a technique he developed to create larger, more intricate designs that remain lightweight and wearable.
The “PETALS” sculpture series, on the other hand, represents Chan’s foray into large-scale public art. These monumental works, some standing several metres tall, challenge perceptions of what is possible with titanium, a material typically associated with industrial applications.
Through Chan’s artistry, the metal is transformed into delicate, flower-like forms that seem to defy gravity and logic.
Richard Caring, Wallace Chan and Patricia Caring
Frieze Week: A Global Art Phenomenon
Annabel’s gala dinner for Wallace Chan is set against the backdrop of Frieze Week, one of the most significant events in the global art calendar. Frieze London, along with its sister fair Frieze Masters, attracts galleries, collectors, and art enthusiasts from around the world, transforming the city into a hub of cultural activity.
The decision to hold such a high-profile event at Annabel’s during this week speaks to the club’s status as a nexus of art, fashion, and high society. It provides a more intimate, curated experience compared to the bustling fairgrounds, allowing for a deeper appreciation of Chan’s work and fostering meaningful connections among the attendees.
The Intersection of Art, Fashion, and Music
The gala dinner at Annabel’s exemplified the growing trend of cross-pollination between different creative disciplines. The presence of fashion designers like Han Chong, and musicians like Katherine Jenkins and Mimi Xu, alongside traditional visual artists, underscores the fluidity of contemporary creative expression.
This interdisciplinary approach was reflected in every aspect of the event, from the dress code, which encouraged guests to view their attire as an extension of the artistic experience, to the music selection, which was carefully chosen to enhance the visual impact of Chan’s work.
Conclusion: A Night to Remember
Olivia Buckingham
As the gala dinner at Annabel’s drew to a close, guests departed with a sense of having participated in something truly extraordinary. The event not only celebrated the remarkable artistry of Wallace Chan but also reinforced Annabel’s position as a custodian of culture and a facilitator of memorable experiences.
In an age where digital interactions often dominate, events like this serve as a powerful reminder of the importance of physical presence and shared experiences in the appreciation of art. As Frieze Week 2024 unfolds, the gala dinner at Annabel’s will undoubtedly be remembered as one of its highlights, a perfect fusion of artistic innovation, social celebration, and cultural significance.
The success of this event sets a high bar for future collaborations between Annabel’s and the art world, leaving attendees and art enthusiasts alike eagerly anticipating what the next Frieze Week might bring to this storied London institution.
Salon Privé Magazine is the quintessence of luxury lifestyle journalism, renowned for its sophisticated portrayal of the opulent world since its inception in 2008. As a vanguard of high-end living, the magazine serves as an exclusive portal into the realms of haute couture, fine arts, and the aristocratic lifestyle. With over a decade of expertise, Salon Privé has established itself as the definitive source for those who seek the allure of luxury and elegance.
The magazine’s content is crafted by a cadre of experienced journalists, each bringing a wealth of knowledge from the luxury sector. This collective expertise is reflected in the magazine’s diverse coverage, which spans the latest in fashion trends, intimate glimpses into royal lives, and the coveted secrets of the affluent lifestyle. Salon Privé’s commitment to quality is evident in its thoughtful collaborations with industry titans and cultural connoisseurs, ensuring that its narratives are as authoritative as they are enchanting.
With accolades that include being voted the number one luxury lifestyle magazine in the UK, Salon Privé continues to be at the forefront of luxury journalism, offering its discerning readership a guide to the finest experiences the world has to offer. Whether it’s the grandeur of global fashion weeks, the splendor of exclusive soirées, or the pursuit of wellness and beauty, Salon Privé Magazine remains the emblem of luxury for the elite and the aspirants alike.
Sports mogul Rich Paul curates Sotheby’s Contemporary Art auction, bridging athletics and fine art with a focus on Black American artists.
Best-selling author Rich Paul has been selected to curate the latest edition of Sotheby’s Contemporary Curated auction.
This prestigious event, set to take place on 27 September 2024 in New York, promises to showcase a carefully curated selection of superlative artworks that resonate deeply with Paul’s personal vision and collection.
A Curator’s Journey: Rich Paul’s Art Story
Rich Paul, renowned for his transformative impact on sports representation, has long harboured a profound appreciation for contemporary art. His journey into the world of art collecting began as a fascination with fashion, eventually evolving into a deeper appreciation for how art mirrors personal experiences and worldviews.
Speaking about his artistic inclinations, Paul remarked, “Art profoundly reflects and enhances personal experiences; it’s always been a gateway to self-expression for me. What began as a fascination with fashion evolved into a deeper appreciation for how art mirrors my personal journey and worldview. It’s not just about visual appeal—its true value lies in the emotional impact it has on experiences and feelings.”
Paul’s curation for Sotheby’s encompasses both abstraction and figuration, with a particular emphasis on Black American artists. This focus not only reflects the core of Paul’s personal collection but also aligns with his work promoting representation on the board of the Los Angeles County Museum of Art (LACMA).
The Intersection of Art, Sports, and Entertainment
Paul’s unique position at the crossroads of sports, entertainment, and art brings a fresh perspective to the world of fine art auctions. He views these seemingly disparate fields as interconnected forms of expression that reflect our world.
“Art, sports, and entertainment are all interconnected—they’re forms of expression that reflect our world,” Paul explains. “It’s not just about collecting; it’s about enriching the conversation and inspiring others to see art as a vital part of life.”
This holistic view of creative expression informs Paul’s approach to curation, allowing him to draw parallels between the emotional intensity of sports and the profound impact of visual art.
The Curator’s Vision: More Than Just Assembling Art
For Rich Paul, the role of curator extends far beyond simply selecting artworks for an auction. He sees it as an opportunity to foster a deeper appreciation for art and to use his platform to educate and inspire others.
“My role as a curator is about more than just assembling a collection,” Paul states. “It’s about fostering a deeper appreciation for art and using my platform to educate and inspire others, creating a legacy of thoughtful engagement.”
This commitment to education and accessibility aligns perfectly with Sotheby’s mission for their Contemporary Curated auctions. Haleigh Stoddard, Sotheby’s Specialist and Head of Contemporary Curated emphasises this synergy: “This collaboration highlights Rich’s deep connection with storytelling through art. As an established collector, Rich is committed to education and accessibility, empowering young artists and the athletes that he represents.”
The Contemporary Curated Auctions: A Tradition of Diverse Voices
Since 2013, Sotheby’s Contemporary Curated auctions have invited influential figures from various fields to curate a group of works by the most sought-after post-war and contemporary artists. This innovative approach has brought fresh perspectives to the art world, showcasing the unique tastes and interests of cultural luminaries.
Previous curators in New York have included a diverse array of personalities, from media mogul Oprah Winfrey and fashion designer Kim Jones to musicians like Swizz Beatz and actors such as Cynthia Erivo. Athletes have also lent their discerning eyes to the auction, with NBA player Kevin Love and supermodel Karlie Kloss among the past curators.
By inviting Rich Paul to curate this edition, Sotheby’s continues its tradition of bringing diverse voices and perspectives to the forefront of the art world. Paul’s selection promises to offer a unique blend of established masters and emerging talents, all viewed through the lens of his multifaceted career and personal journey.
Rich Paul: A Trailblazer in Sports and Beyond
To truly appreciate the significance of Rich Paul’s curation, it’s essential to understand his groundbreaking career and far-reaching influence. Since founding KLUTCH Sports Group in 2012, Paul has redefined the landscape of sports representation with an innovative approach that prioritises athletes’ interests.
Rich Paul featuring Sam Gilliam, Cielo, est. $600,000 – $800,000; Derek Fordjour, No. 30, est. $50,000 – $70,000; Frank Bowling, Sinon, est. $100,000 – $150,000
Paul’s influence extends far beyond the realm of sports. In 2019, he announced a partnership with United Talent Agency (UTA), joining their Board of Directors in 2020. This move signalled Paul’s ambition to bridge the worlds of sports, entertainment, and culture.
Recognised by GQ as “PowerBroker of the Year” and featured on the cover of Sports Illustrated as “The King Maker,” Paul has been instrumental in shaping both the sports and media worlds. His advocacy played a crucial role in overturning the controversial “Rich Paul Rule,” which would have restricted non-degree-holding agents from representing NCAA athletes.
Paul’s entrepreneurial spirit has led him to co-found ADOPT, a creative agency focusing on sport, wellness, and tech. He also serves on the boards of LACMA, Designer Brands Inc., and Live Nation, further cementing his status as a cross-industry influencer.
In 2023, Paul added another accolade to his impressive résumé, becoming a New York Times best-selling author with the release of his memoir, “Lucky Me.” This literary success further underscores Paul’s ability to connect with audiences across various platforms and mediums.
Highlighted Artists and Artworks
Josef Albers, Study to Homage to the Square | Estimate: $550,000 – 750,000
Rich Paul’s curation for Sotheby’s Contemporary Curated auction showcases a diverse range of artists and styles, reflecting his broad appreciation for contemporary art. Here are some of the standout pieces selected by Paul:
Sam Gilliam: Cielo
Estimated at $600,000 – $800,000, Sam Gilliam’s “Cielo” is a prime example of the artist’s celebrated Beveled Edge paintings from the early 1970s. This acrylic on beveled edge canvas, measuring 51 by 69 ½ inches, exemplifies Gilliam’s groundbreaking approach to abstract painting.
“Cielo” showcases Gilliam’s mastery in manipulating vibrant colour and space, challenging traditional perceptions of painting. This piece highlights Gilliam’s significant contribution to the Washington Color School and his enduring legacy in major collections such as The Metropolitan Museum of Art and The Smithsonian American Art Museum.
Frank Bowling: Sinon
Frank Bowling’s “Sinon,” executed in 1974 and estimated at $100,000 – $150,000, marks a pivotal moment in the artist’s career. This 73 by 32-inch piece represents Bowling’s transition from figuration to abstraction, showcasing his masterful use of acrylic paint to create richly textured, luminous compositions.
Drawing inspiration from the Colour Field painting, “Sinon” embodies Bowling’s experimentation with chance and controlled accident. The piece reflects Bowling’s ongoing exploration of colour, surface, and process, informed by decades of experimentation and dialogue with scientists and paint makers.
Derek Fordjour: No. 30
Derek Fordjour’s “No. 30,” estimated at $50,000 – $70,000, is a striking example of the artist’s exploration of portraiture. This 29 1/2 by 24-inch piece, executed in 2018, employs Fordjour’s signature collage technique, incorporating materials like cardboard and newspaper to create a richly textured surface.
The work showcases Fordjour’s ability to capture a wide emotional spectrum, bridging physical and conceptual realms. Rooted in his Ghanaian heritage and informed by his role as an influential educator, Fordjour’s art often features athletes, musicians, and performers, capturing an intricate blend of bodily and emotional depth.
Mark Bradford: Tina
Mark Bradford, Tina | Estimate: $800,000 – $1,200,000
Mark Bradford’s “Tina,” created in 2006 and estimated at $800,000 – $1,200,000, is a powerful example of the artist’s unique approach to abstraction. This mixed media collage on canvas, measuring 101 by 130 ⅞ inches, showcases Bradford’s meticulous layering technique, incorporating singed endpapers and shimmering foil.
Drawing on his experience in his mother’s hair salon, Bradford’s work incorporates found materials that evoke the social and material textures of his urban Los Angeles community. “Tina” reflects Bradford’s exploration of the racial and socio-economic geography of his home city, with its textured, labyrinthine surface recalling both the dynamism of urban life and modernist abstractions.
The Auction: A Celebration of Contemporary Art
The live auction, presented in partnership with Silversea, is scheduled to take place at Sotheby’s New York on 27 September 2024. Art enthusiasts and collectors will have the opportunity to view the exhibition from 21 to 26 September, providing ample time to appreciate the carefully curated selection of works.
This edition of Contemporary Curated, under Rich Paul’s discerning eye, promises to be a significant event in the art world calendar. It not only showcases exceptional works of contemporary art but also reflects the evolving landscape of art appreciation and collecting, bridging diverse cultural spheres.
Conclusion: A New Chapter in Art Curation
Rich Paul featuring Sam Gilliam, Cielo, est. $600,000 – $800,000
Rich Paul’s curation of Sotheby’s Contemporary Curated auction marks a significant moment in the convergence of sports, entertainment, and fine art. His unique perspective, shaped by his multifaceted career and personal journey, brings a fresh and exciting dimension to the world of art curation.
As the art world continues to evolve and embrace diverse voices, collaborations like this one with Rich Paul pave the way for new narratives and interpretations in contemporary art. The upcoming auction not only promises to showcase exceptional artworks but also to inspire a new generation of art enthusiasts and collectors.
By bridging the worlds of sports, entertainment, and fine art, Rich Paul and Sotheby’s are writing a new chapter in the story of contemporary art curation. As we look forward to the auction in September, one thing is clear: the intersection of these cultural spheres is producing some of the most exciting and innovative moments in the art world today.
Salon Privé Magazine is the quintessence of luxury lifestyle journalism, renowned for its sophisticated portrayal of the opulent world since its inception in 2008. As a vanguard of high-end living, the magazine serves as an exclusive portal into the realms of haute couture, fine arts, and the aristocratic lifestyle. With over a decade of expertise, Salon Privé has established itself as the definitive source for those who seek the allure of luxury and elegance.
The magazine’s content is crafted by a cadre of experienced journalists, each bringing a wealth of knowledge from the luxury sector. This collective expertise is reflected in the magazine’s diverse coverage, which spans the latest in fashion trends, intimate glimpses into royal lives, and the coveted secrets of the affluent lifestyle. Salon Privé’s commitment to quality is evident in its thoughtful collaborations with industry titans and cultural connoisseurs, ensuring that its narratives are as authoritative as they are enchanting.
With accolades that include being voted the number one luxury lifestyle magazine in the UK, Salon Privé continues to be at the forefront of luxury journalism, offering its discerning readership a guide to the finest experiences the world has to offer. Whether it’s the grandeur of global fashion weeks, the splendor of exclusive soirées, or the pursuit of wellness and beauty, Salon Privé Magazine remains the emblem of luxury for the elite and the aspirants alike.
Outside, the temperatures have dropped below freezing and there’s a thick coat of snow on the Swiss Alps, but inside the legendary Dracula Club, things are just heating up. An array of international artists and filmmakers are gathered for the award ceremony of the third St Moritz Art Film Festival (SMAFF), hoping to pick up a trophy – a pile of cow poo, cast in bronze by Swiss artist Not Vital – for the best experimental film, full-length feature, or the jury’s ‘love at first sight’. The celebrations will go on late into the night.
First hosted in 2022, SMAFF was envisioned by the architect and curator Stefano Rabolli Pansera. He was fascinated by the idea that a film festival, in its purest form, is a “beam of light [with] the force of gravity to attract people from all over the world,” he tells Dazed between films at the plush Scala Cinema. “It is ultimately a territorial project.” The territory it covers is broad, too, with curators fielding film applications – 1,756 this year alone – from artists and filmmakers all over the world, spanning the UK, Europe, and the US, Mongolia, India, Lebanon, Iran, Argentina, and more.
Róisín Tapponi, the Assyrian Iraqi and Irish writer, plus founder of Shasha Movies and Habibi Collective, joined the curatorial team for this year’s edition, titled Meanwhile Histories and themed around time. For her, one of the main draws of the festival is its unique and intimate structure, which caters to real film lovers, rather than an audience of big film industry players. “The biggest joy of film festivals is watching films,” she says. “That’s purely the focus of this.”
The festival is far from “provincial” in its ambitions, adds Stefano, but it is small, partly because it has to be: St Moritz is little more than a village in the middle of the Alps. The Scala has a slide and a James Turrell-decorated bar, but only one screen, with 108 seats (such glitzy surroundings can be slightly ironic, notes one nameless filmmaker over dinner, after a screening of a documentary on radical class conflict). The small scale works to its advantage, though, because it means there’s no obligation to fill 2,000 seats. This leaves a lot of room for freedom and experimentation.
Eduardo Williams, ParsiFilm still
In fact, Stefano describes the curation process as an “act of resistance against entertainment”. OK, this might conjure an image of bloated art films that feel about as exciting as watching paint dry, but what it really means is that the festival isn’t afraid to disturb or provoke (see: Paul McCarthy’s scatological closer, starring eroticised AI facsimiles of Adolf Hitler and Eva Braun – it doesn’t get much more provocative than that). Tapponi has plenty of experience with the political side of this conversation, facing censorship for her platforming of Palestinian films after October 7. But at SMAFF, she says: “There’s the freedom to show whatever we want to show.”
Below, we’ve gathered ten highlights from the 2024 iteration of St Moritz Art Film Festival.
We rarely think about sirens until we’re already deep in a state of emergency. The Spanish-born, London-based artist Aura Satz places these preemptive technologies in the spotlight, investigating their role in a modern world plagued by endless emergencies, interconnecting crises, and increasing alarm fatigue. Against a backdrop of sublime drone shots and newly-imagined siren sounds – composed by the likes of Kode9, Moor Mother, Laurie Spiegel, and Debit – the filmmaker explores sirens as warning systems for natural and manmade disasters, but also tools of colonial domination and state suppression. On a more existential scale, she asks: what use is a siren against slow, incalculable processes like ecological collapse? Dark and deeply insightful, the film is an urgent warning in and of itself, and rightfully picked up a bronze cow pat at this year’s festival.
In the second entry of his planned seven-film series taking titles from days of the week, the Korean director Young-Jun Tak places two polar opposites in direct opposition: the “hyper-femininity” of a gay male dance group, staging a take on Kenneth MacMillan’s 1974 ballet Manon in a Berlin forest and notorious cruising site, and the “hyper-masculinity” of Easter celebrations by Spanish Legion soldiers based in Malaga, lifting a crucifix into the air. Selected for the ‘Love at First Sight’ award, Love Your Clean Feet on Thursday uses these sensual performances to explore questions about gender, sexuality, and the forms they take in the midst of a public spectacle.
Michel Auder, May ‘68 in ‘78Film still
Sparked by a series of student occupation protests, the burst of civil unrest that saw barricades block Paris streets in May 1968 continues to resonate to this day. The iconic French-American photographer and filmmaker Michel Auder was there to capture it, but lost the footage shortly after. Ten years later, he would return to the site of the demonstrations to interview some of those that took part, finally resulting – after a 45-year wait – in the footage we see today, in May ‘68 in ‘78. What’s most striking about the film is not the introduction (which sees Jean Tinguely recall an erotic scene between two male elephants at Amsterdam zoo) but the multifaceted sense it gives of a revolution that was, depending how you look at it, a social and cultural turning point or a farcical piece of political theatre.
Martine Syms’ SHE MAD is an ongoing video series, and S1:E4 is just one, darkly comic episode. In it, graphic designer Martine experiences a flashback to T-Zone, a week-long summer camp from her childhood, where teenage girls are coached in self-confidence by a flamboyant supermodel and business mogul. With a visual style and patterns of speech lifted from US reality shows, the camp degenerates into chaos as the leader segregates the girls based on their race, and encourages them to yell offensive stereotypes at each other in a misguided attempt at fostering solidarity. It’s not every day that a work of ‘capital A’ Art has a cinema full of viewers laughing out loud.
Eduardo Williams, Pude Ver Un PumaFilm still
Argentine filmmaker Eduardo Williams took home the third SMAFF award (best short and experimental film) for Parsi, which sets a trancelike poem by Mariano Blatt to 360-degree footage by young people from Guinea-Bissau’s queer and trans community. His second film in the programme, Pude ver un Puma, proved equally captivating, following a group of young boys from the rooftops of their home neighbourhood, through an otherworldly landscape, into the depths of the earth, sharing spontaneous stories and pondering philosophical questions as they go.
Britain’s history of colonial violence is still very much alive at the heart of many museum collections. Concentrating on a vast collection of (presumably looted) artefacts at Manchester Museum, artist and filmmaker Ero Sevan explores conversations on restitution and repatriation, interviewing curators and community activists alongside a creative intervention by Manchester-born artist and poet Rochá Dawkins. Together, they share ideas about unearthing the lost stories behind these artefacts and everyday objects – many of them hidden in underground archives – through community participation, in an effort to bring their lost histories to light.
Pet Shop Days, Olmo SchnabelFilm still
Let’s just get this out of the way: Olmo Schnabel is the son of famed artist Julian Schnabel. That might explain how he snagged the likes of Willem Dafoe and Peter Sarsgaard for his debut feature, or maybe not! Either way, the polarising film – one of the more straightforward narrative rides at SMAFF – is an intense, violent, vaguely incestuous, and occasionally tender watch, following a young man named Alejandro as he arrives in New York attempting to escape his traumatic past in Mexico. Eventually he meets another boy, Jack, who he seduces and draws into his criminal lifestyle, via strip clubs, group sex, shady drug deals, and a high octane finale.
The titular Eileen Gray in E for Eileen was a real, relatively-unknown but hugely influential architect in mid-century France, back when many women still couldn’t officially call themselves architects. The film charts her final day and night in E-1027, a Modernist villa she designed on the French Riviera, which is interrupted by the surprise arrival of old friends and lovers. Not much is known about her reasons for leaving the house behind, and filmmakers Brennan Gerard and Ryan Kelly write into this void, using fiction to fill in the gaps in documented history. More specifically, they explore her motivations against the backdrop of her tangled relationship with Jean Badovici and another woman, at a time when queer relationships represented yet another act of radical subversion. The film itself is beautiful (obviously), shot on site in the real house after decades of uncanny tragedies and twisted sagas that have cemented its place – and Eileen’s – in French architectural history.
Taking Venice, Amei WallachFilm still
Before the Great British Britpop plot, there was Robert Rauschenberg’s Grand Prize win at the Venice Biennale in 1964. Taking Venice uncovers the real story behind the successful conspiracy to ‘steal’ the award by the US government and high-placed art world insiders, with commentary from people who were really involved. On the one hand, it’s an interesting examination of how an artist can become intertwined with plots of politics and power; on the other, it’s just a fun story with some surprise twists and turns. It’s part art doc, part true crime saga, part heist thriller (where the prize is cultural reputation, rather than priceless jewels or the contents of a bank vault).
Paul McCarthy, ‘HEDEIHEID’Film still
Paul McCarthy was selected to close the festival this year, with two provocative films that explore the unsettling, uncanny, and obfuscating effects of AI. The longer of the two, HEDEIHEID, tasks the viewer with sitting through more than an hour of abstract mutations against an idyllic mountain backdrop: young women, father and grandfather figures, dogs, goats, and more appear and disappear in various states of undress, set to a jarring reading from Heidi, an iconic work of children’s fiction set in the Swiss Alps. Or, as McCarthy puts it in his artist statement: “joyful entanglement with goats penis vagina cheese wheel Swiss hut hat goat herd on hard goats petting prompt porn.” Hardly a flattering tribute to the host country’s heritage.
Football and art intersect more than what we as fans give it credit for. Art touches every aspect of the game, from self-expression on the pitch to vibrant kit designs, art is football, and football is art.
Exhibition Match is an art presentation founded on the desire to make art more accessible by merging it with the football world.
Curators and founders of the event, Phokeng Setai and Alexander Richards have grown Exhibition Match from a passion project to a permanent fixture in South Africa’s standout art fairs.
Phokeng and Alex are gearing up for the sixth iteration of Exhibition Match, titled “Football Atmospherics: On the Sounds and Kinetics of Football,” taking place from the 5th to the 8th of September.
This edition of Exhibition Match delves into the sensory depth of football, elevating it beyond its limiting status as just a sport.
This event invites visitors who love the beautiful game to fully engage with the sounds, movements, and energy that characterize football.
From iGwijo songs that touch every level of football in Mzansi to the echoing chants heard from Liverpool, Arsenal and Manchester United fans in the English Premier League, this exhibition will explore how football’s auditory and kinetic elements turn stadiums into hubs of shared expression, in a nutshell, spotlighting how football is closely linked to performance art.
Scroll through the gallery to view snaps from previous editions of Exhibition Match:
Taken at the last iteration of Exhibition Match’s football game.
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Contemporary artist Callan Grecia’s painting of the infamous incident at the 2006 FIFA World Cup, where French midfield legend Zinedine Zidane attacked former Italian defender Marco Materazzi in the final.
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Taken at the last iteration of Exhibition Match’s football game.
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Exhibition Match curators, Alexander Richards and Phokeng Setai.
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The latest iteration of Exhibition Match will be elevated this time around as the curators introduce a third element to their traditional two-item format.
Thuthuka Sibisi brings a queer lens to the “gentlemxn’s game” art exhibit, while multi-disciplinary artist Franceso Mbele will design the latest Exhibition Match jersey, which will be a nod to the fusion of contemporary fashion and sport, celebrating the intersection of identity and memory.
In a recent interview with Cape Town-based curators, Alex and Phokeng, mentioned why they want to pay homage to the atmosphere that surrounds football with the latest iteration of Exhibition Match and explained the third element of this weekend’s event and what to expect from Thuthuka Sibisi’s presentation:
“We are looking at the sounds and kinetics of the game. From the crowds at the stadium to the action on the pitch. We are looking at what we hear and what we feel within the game. The artist that will be doing the art exhibit, Thuthuka, is going to be doing something more performative, in that offering, which we don’t know what it will be like yet, he’ll incorporate the performance elements you see in football,” explained Phokeng, revealing the third element of Exhibition Match will be a celebration.
This celebration on Saturday will pay homage to the cultural landscape of South Africa’s post-1994 era, defined by Kwaito music and football.
“The football-themed party, we are looking at cultural nostalgia through SA football, with a focus on the 1990s, early 2000s, and popular culture. That’s why we will have Mzambiya as the key performer on the day,” stated Phokeng.
As always with Exhibition Match, a football game rounds it off and will be made up of artists, creatives and fellow art professionals. They’ll wear the jersey designed for the event, made by the aforementioned creative, Francesco Mbele.
In embracing the atmospheric nature of football, Alex referenced super fans and crowd entertainers like AmaZulu’s Dlamini and how they want to explore that sub-genre, through the lens of performance art, with Exhibition Match this weekend.
“It’s an interesting stretch for us, we have been interested in the spectator connection, and South Africa has the best spectator connection. It’s a really interesting segway or connection between art and football, that’s not a classic way,” stated Alex.
“Importantly, this iteration is about the supporter. We are turning our attention to the supporters, the people who make art/football what it is. More than anything, it’s about that,” emphasized Phokeng, with both curators understanding the importance of the spectator in both art and football.
In both football and art, community can be cultivated and can be seen as part of Mzansi’s identity.
“There’s a lot of people in both avenues. I would argue in South Africa, [art and football] are two core parts of our identity. You think of an artist like Esther Mahlangu, who is painting things that you can find all over Limpopo and the world. When you think about exports, both industries are export-heavy.”
Phokeng also pointed out the entertainment element of both art and football is what can cultivate an audience and/or a community:
“I think there’s something about these two fields. There’s something about people coming together around football and art, where expression is fundamental. In football, we see players being expressive in how they approach the game. And in art, a domain of self and collective expression.
“I want to go back to entertainment, how people view or converge around these two fields where expression is central in making them what they are. I think that’s what could be the building blocks of what community is made of; expression, coming together to see people expressing and allowing people to also express how they relate or consume these things,’ says Phokeng, highlighting how football and art bring people together.
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