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Tag: Astro

  • Metaphor: ReFantazio, Dragon Age, Astro Bot and an indie wave lead the top AP video games of 2024

    Metaphor: ReFantazio, Dragon Age, Astro Bot and an indie wave lead the top AP video games of 2024

    WASHINGTON — It’s been a rough year in the world of video games, which reeled from some high-profile flops (sorry, Suicide Squad and Star Wars fans) and a relentless series of developer layoffs. Fortunately, indie designers stepped up to fill in the gaps. And toward the end of the year, a few AAA studios rallied with ambitious, big-budget adventures.

    The top 10 games of 2024 recall a brighter age when it seemed like anything was possible in our virtual worlds. Here’s hoping the industry learns from their success.

    In a politically exhausting year, Japan’s Studio Zero pulled off the seemingly impossible: rendering the process of reforming a corrupt world with something resembling … hope? The corruption that has beset the quasi-medieval Euchronia is quite literal, embodied by hideous mutants known (rather unsubtly) as “humans.” The fight to restore sanity blends stirring battles with unusually thoughtful reflections on justice, all with the eye-popping visuals you’d expect from the creators of the Persona series.

    The last few years have brought a surge in so-called “metroidvanias” — enormous two-dimensional mazes that blend arcade action with tricky puzzles. Solo designer Billy Basso’s Animal Well is the apex, presenting a vast underground network whose inhabitants range from mice to flamingos. Every challenge you solve opens a smorgasbord of new challenges, and it’s easy to get lost for hours in its eerie, hallucinatory world.

    In this drama from Sweden’s Simigo, a young woman is invited to explore a hotel that’s been seemingly abandoned by its owner, an avant-garde filmmaker. Every room has a puzzle, and the more you solve the deeper you fall under its spell. It’s like being trapped in a David Lynch movie, where you’re always questioning the boundaries between dreams and reality.

    BioWare, the studio behind landmark role-playing games like Mass Effect and the original Baldur’s Gate, finally returns to its strengths with this fantasy epic. It has all the hallmarks of the genre, with a motley crew of fighters, mages and rogues joining forces against a world-threatening evil. The combat is engaging, the stories are unpredictable and the characters are endearingly loopy.

    The most endearing character of the year has to be the adorable protagonist of this adventure from Sony’s Team Asobi. The spunky little robot is on a planet-hopping mission to rescue dozens of his fellow droids, with each stop presenting a fresh assortment of running, jumping and punching challenges. It’s the sort of game we used to see more of on the PlayStation, and it’s thoroughly delightful.

    Luisa is a burnt-out corporate drone who needs a break. So why not head to the Alps and cut loose by fighting some monsters? Compared to Metaphor and Dragon Age, the dungeons devised by Austria’s Microbird Games are more tightly focused, given that you can only take a few magic spells on each expedition. But the puzzles are clever, and this oddball tourist town has other intriguing mysteries worth investigating.

    More dungeons, as Nintendo returns to Hyrule. At long last you get to play as Princess Zelda, who wields a scepter that allows her to duplicate the tools she needs to surmount obstacles — or summon creatures to fight her foes. Echoes combines the top-down action of 1987’s original-recipe Zelda with the improvisation of last year’s “Tears of the Kingdom,” and should satisfy fans of both.

    Bethesda Softworks delivers a rarity, a AAA action-adventure in which the protagonist spends more time quietly figuring out the enigmas of the Egyptian pyramids and Vatican City than mindlessly shooting enemies. Veteran voice actor Troy Baker does a fine job standing in for Harrison Ford, the dialog sparkles and the graphics are stunningly detailed. It’s one of 2024’s biggest surprises — and don’t worry, you do get to punch Nazis.

    This indie smash from solo developer LocalThunk looks simple: a solitaire version of poker in which you score points by racking up good hands. Throw in some jokers, though — say, a “Greedy Joker” that makes diamonds more valuable — and it gets complicated. The higher your score, the more jokers become available. It’s a classic “just one more hand” hook; don’t download Balatro if you expect to get anything else done today.

    A team of indie developers led by Spelunky designer Derek Yu conjured up this tribute to the games of the 1980s. It’s insanely ambitious, with 50 complete games ranging across every imaginable genre, from shoot-’em-ups to strategy to racing to role-playing. There’s even a Pong variant. It’s a feast for anyone who remembers the dawn of video games — or is too young to have been there.

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  • What to Stream: George Strait, ‘Rebel Ridge,’ Astro Bot, ‘Slow Horses’ and Mormon influencers

    What to Stream: George Strait, ‘Rebel Ridge,’ Astro Bot, ‘Slow Horses’ and Mormon influencers

    “The Secret Lives of Mormon Wives,” a docuseries following young wives in Utah, and the suspenseful thriller “Rebel Ridge” are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: the return of the acclaimed English spy series “Slow Horses,” Astro Bot gets his own full full-fledged adventure on the PlayStation 5 and George Strait will release his 31st studio album, “Cowboys and Dreamers.”

    — Jeremy Saulnier makes lean, suspenseful thrillers, several of which (“Blue Ruin,” “The Green Room”) have turned into cult favorites. His latest, “Rebel Ridge” (on Netflix starting Friday Sept. 6), stars Aaron Pierre as an ex-Marine who becomes ensnared in a violent battle with a corrupt small-town police department and its chief (Don Johnson). The film, engrossing and stylish, is enlivened by the magnetic presence of Pierre.

    “The Boy and the Heron” didn’t turn out to be Hayao Miyazaki’s swan song. (He’s said to be at work again on another film.) But it did live up to the considerable expectations built up for the long-in-coming late opus from the Japanese anime master. The film, streaming Friday, Sept. 6, on Max, was the best animated feature winner at the Oscars earlier this year and – in a first for the 83-year-old Miyazaki – No. 1 for a weekend at the box office. In it, a 12-year-old boy named Mahito, uprooted from Tokyo after the death of his mother during World War II, discovers a portal into a fantastical realm. In my review, I wrote that “The Boy and the Heron” is like “returning to a faintly familiar dreamland. Only, since the only location here is really Miyazaki’s boundless imagination, it’s less the feeling of stepping back into a recognizable place than it is revisiting a well-remembered sense of discombobulation and wonder.”

    AP Film Writer Jake Coyle

    — They call him King George for a reason. On Friday, George Strait will release his 31st studio album, “Cowboys and Dreamers,” a collection of classic-sounding contemporary country from a Texas troubadour who has nothing left to prove, and no reason to quit. Standouts include a collaboration with Chris Stapleton (“Honky Tonk Hall of Fame”), who opened for Strait on his recent stadium tour, a cover of Waylon Jennings’ “Waymore’s Blues,” and the Jimmy Buffet-informed vacation stomper, “MIA Down in MIA.”

    — The internet was primed for an electroclash revival, and in The Dare, it has a figurehead. The musical project of Harrison Patrick Smith, The Dare has quickly become a stalwart of New York City nightlife, largely due to the success of his amorous anthem “Girls.” He’s further cemented his nascent fame by producing and co-writing “Guess,” a deluxe club tune from Charli XCX’s extended “BRAT,” and a remix featuring Billie Eilish. When his debut album releases on September 6, titled “What’s Wrong With New York?”, all eyes and ears will be back on his own nostalgic-sounding Anglophilia. Put on your best suit and hit the dance floor.

    — MJ Lenderman is no stranger to this space — last year, AP named an album by his band, Asheville, North Carolina’s alt-country indie rockers Wednesday, as one of 2023’s best. As a soloist, the multi-instrumentalist — but perhaps most principally, a guitarist — has made a name for himself for his lax songwriting style – funny, acerbic, cutting with a wizened equanimity. On “Morning Fireworks,” his skills have been sharpened. Heartbreak is amusing and suburban and timeless. It, like last year’s “Rat Saw God,” feels like an easy contender for one of 2024’s most exciting releases.

    — A master of disco, soul, R&B and beyond, Sylvester’s unimpeachable legacy gets a new release in “Live at The Opera House,” a massive collection of over two hours of material. That includes 13 songs captured from his performance at the San Francisco War Memorial Opera House on March 11, 1979. It will be released as a box set, for those looking to dive into its exclusive photographs and liner notes. For everyone else, it will hit streaming on Friday, Sept. 6.

    AP Music Writer Maria Sherman

    “Slow Horses,” Apple TV+ British spy series starring Gary Oldman, returns for season four just in time for the Primetime Emmy Awards. Season three received nine nominations including outstanding drama series and lead actor for Oldman. The show’s new season is also rated 100% fresh on Rotten Tomatoes. In “Slow Horses,” MI5 agents who’ve made big mistakes are relegated to a division run by Oldman’s character Jackson Lamb. The story is based on Mick Herron’s “Slough House” novels. It returns Wednesday.

    — First there was Bravo’s “The Real Housewives of Salt Lake City,” and now Hulu is introducing “The Secret Lives of Mormon Wives,” a docuseries following young wives in Utah who are members of The Church of Jesus Christ of Latter-day Saints. They are also online influencers who banded together to create TikTok content they called #MomTok. The women juggle their online personas with family life and remaining in good standing with the Church — and each other — after a sex scandal brings worldwide attention. It premieres Friday, Sept. 6.

    — In “The Wonderland Massacre & The Secret History of Hollywood,” crime writer Michael Connelly examines the 1981 quadruple massacre at Wonderland Avenue in Los Angeles that inspired the film “Boogie Nights.” It premieres Sunday, Sept. 8 on MGM+.

    Alicia Rancilio

    — It’s been way too long since we’ve had a lovable new mascot to play with, but Sony is hoping Astro Bot can pick up the slack. The little guy first showed up in a game for Sony’s virtual reality headset, but this is the first time he’ll get a full-fledged adventure on the PlayStation 5. It begins with the destruction of the droid’s mothership, leaving him to travel across more than 50 planets to reassemble his crew — and perhaps meet some iconic PlayStation characters along the way. It’s the sort of running-and-jumping silliness that made stars out of Spyro the Dragon and Ratchet & Clank, interspersed with acrobatic flying antics. Astro Bot lifts off Friday, Sept. 6.

    The Casting of Frank Stone is an intriguing collaboration between two preeminent horror game makers. It’s set in the world of Behaviour Interactive’s Dead By Daylight, a multiplayer survival hit, but it’s a solo game from Until Dark designer Supermassive Games. The title character is a serial killer, while the protagonists are four teenagers who come up with the brilliant idea of making a movie about him. If you’ve played either of the aforementioned titles, you know someone’s going to wind up on the wrong end of a meat hook. The gore starts flowing Tuesday on PlayStation 5, Xbox X/S and PC.

    Lou Kesten



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