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  • Disney Q4 bolstered by strong results from streaming, ‘Inside Out 2’ and ‘Deadpool & Wolverine’

    Disney Q4 bolstered by strong results from streaming, ‘Inside Out 2’ and ‘Deadpool & Wolverine’

    Disney’s fourth-quarter adjusted profit beat Wall Street’s expectations, bolstered by strong results from its streaming service and box office success with “Inside Out 2” and “Deadpool & Wolverine.”

    Disney earned $460 million, or 25 cents per share, for the period ended Sept. 28. A year earlier the Burbank, California-based company earned $264 million, or 14 cents per share.

    Removing certain items, earnings were $1.14 per share. This topped the $1.09 per share that analysts surveyed by Zacks Investment Research were looking for.

    Shares jumped more than 9% before the market open on Thursday.

    Revenue climbed 6% to $22.57 billion, but fell a bit short of Wall Street’s estimate of $22.59 billion.

    Operating income for the entertainment segment, which includes its movie studio and parts of its television wing, more than quadrupled to $1.07 billion.

    This was helped in part by a strong performance from its content/sales, licensing and other segment, which benefited from $316 million in operating income from “Inside Out 2” and “Deadpool & Wolverine.”

    The Walt Disney Co. said Thursday that its direct-to-consumer business, which includes Disney+ and Hulu, reported quarterly operating income of $253 million compared with an operating loss of $420 million a year earlier. Revenue rose 15% to $5.78 billion.

    The combined streaming businesses, which includes Disney+, Hulu and ESPN+, achieved profitability for the first time in the third quarter.

    Disney+ saw a 2% increase in paid subscribers domestically, which includes the U.S. and Canada. It had a 5% rise internationally, which excludes Disney+ HotStar.

    Disney ended the quarter with 174 million Disney+ Core and Hulu subscriptions, and more than 120 million Disney+ Core paid subscribers, an increase of 4.4 million over the prior quarter.

    Disney said that its improved direct-to-consumer business results were due in part to subscription revenue growth thanks to increased in retail pricing and subscriber growth. Advertising revenue also increased and marketing costs at Disney+ declined.

    “This was a pivotal and successful year for The Walt Disney Company, and thanks to the significant progress we’ve made, we have emerged from a period of considerable challenges and disruption well positioned for growth and optimistic about our future,” CEO Bob Iger said in a statement.

    Iger was confident about the future of Disney’s streaming platform on the company’s conference call, noting that whenever Disney has success with a movie, or there’s expected success for a movie, like with “Inside Out 2” and “Deadpool & Wolverine,” the viewership for previous films, like “Inside Out” and “Deadpool,” spikes significantly on its streaming service. Iger anticipates this trend will continue in the future.

    Mike Proulx, Forrester vice president, research director, is also upbeat on Disney’s streaming business.

    “Disney’s very strong quarter, once again, proves that content is what matters most,” he said in an emailed statement. “With better-than-expected subscriber growth and improved profitability, Disney’s streaming business seems to have turned the emerging media corner to cement itself as a maturing growth driver for the future of Disney’s business.”

    The Experiences division, which includes six global theme parks, its cruise line, merchandise and videogame licensing, reported operating income dropped 6% to $1.7 billion. While operating income improved at domestic parks and Experiences, it fell for international parks and Experiences.

    Disney previously forecast that its fourth-quarter Experiences operating income would fall by mid single digits compared with the prior-year period due to domestic parks moderation as well as cyclical softening in China and less people at Disneyland Paris due to the impact the Olympics had on normal consumer travel.

    Looking ahead, Disney anticipates high-single digit adjusted earnings per share growth for fiscal 2025. The company predicts double digit earnings per share growth for fiscal 2026 and 2027.

    Last month Disney said that it was tapping Morgan Stanley executive James Gorman to serve as its next chairman, beginning early next year. The entertainment giant also announced that it anticipates naming its new CEO in early 2026.

    Gorman will become chairman on Jan. 2, 2025. He will succeed Mark Parker, who is leaving after serving on Disney’s board for nine years.

    Disney is searching for a new CEO to succeed Bob Iger. Iger came back to Disney in 2022 after a period of clashes, missteps and a weakening financial performance at the company under his chosen successor, Bob Chapek.

    Gorman said in a statement in October that by naming Disney’s next CEO in 2026, it “will allow ample time for a successful transition before the conclusion of Bob Iger’s contract in December 2026.”

    Disney is continuing to review internal and external candidates for the CEO position.

    In April shareholders rebuffed efforts by activist investor Nelson Peltz to claim seats on the company board, standing firmly behind Iger as he tries to energize the company after a rough stretch.

    In June Disney asked a federal appellate court to dismiss its lawsuit against Florida Gov. Ron DeSantis after his appointees approved a deal with the company on how Walt Disney World will be developed over the next two decades, ending the last piece of conflict between the two sides.

    As part of the 15-year deal, Disney agreed to invest $17 billion into Disney World over the next two decades and the district committed to making infrastructure improvement on the theme park resort’s property.

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  • What to stream: Mike Tyson vs. Jake Paul, ‘Bad Sisters,’ Shawn Mendes and ‘Deadpool & Wolverine’

    What to stream: Mike Tyson vs. Jake Paul, ‘Bad Sisters,’ Shawn Mendes and ‘Deadpool & Wolverine’

    Ryan Reynolds and Hugh Jackman starring in “Deadpool & Wolverine” and James Patterson’s psychologist detective Alex Cross finally having his own thriller TV show are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: A new album from Shawn Mendes, the return of Apple TV+ dark comedy “Bad Sisters” and a new generation of storm chasers feature in “Twisters.”

    — Anyone looking for an escape will find plenty of options on streaming. Some of the summer’s biggest blockbusters will soon be in your living room, starting with “Deadpool & Wolverine,” ready to spice up Disney+ starting Tuesday. Ryan Reynolds, Hugh Jackman and director Shawn Levy went full throttle with the characters’ first entry into the Marvel Cinematic Universe, with in-jokes, celebrity cameos and f-bombs galore. In her review for the Associated Press, Krysta Fauria wrote that it’s a “fun, generally well-made summer movie.”

    — If you prefer your spectacles to be (sort of) more reality-based, “Twisters” storms Peacock on Friday, Nov. 15. The stand-alone follow-up to the 1996 movie “Twister” stars Glen Powell, Daisy Edgar-Jones and Anthony Ramos as a new generation of storm chasers making dangerous decisions in Oklahoma’s Tornado Alley. Like so many great disaster movies before it, it’s very silly and extremely watchable.

    — One of the most crowd-pleasing movies of the year is also coming home: “Thelma,” in which 94-year-old June Squibb plays a Los Angeles grandmother who gets scammed out of $10,000 and goes on a mission to get it back, with the late Richard Roundtree and his motorized scooter as her accomplice. It’s streaming on Hulu starting Friday, Nov. 15.

    — Awards season watchers will also get a chance to dive into the fantastical world of Jacques Audiard’s “Emilia Pérez” when it hits Netflix on Wednesday. A film that defies simple explanation, AP Film Writer Jake Coyle wrote around its Cannes debut that this “gonzo trans Mexican drug lord musical” is “probably the first movie that can sincerely be compared to both ‘Sicario’ and ‘Mrs. Doubtfire.’” It stars Zoe Saldaña, Selena Gomez and breakout Karla Sofía Gascón.

    — AP Film Writer Lindsey Bahr

    — In a Michael Jackson -based timeline, there’s a love story being told in “I’ll Be There.” Set in the backdrop of Jackson’s 2009 death in Los Angeles, the independent film starring Jasmine Batchelor follows the youngest of a blended family, who reconnects with her estranged siblings after her older brother is diagnosed with cancer. The reconnection unveils family secrets and cultural moments that impacts their lives. The emotional drama streams Friday, Nov. 15 on Prime Video and Apple TV.

    — AP Entertainment Writer Jonathan Landrum Jr.

    — Four years between albums is an eternity for Shawn Mendes, the Canadian folk-pop star who first emerged on the long-defunct social media platform Vine, miraculously — through talent and resilience — transforming six-seconds of fame into a viable career. On “Shawn,” his self-titled album four years removed from 2020’s introspective “Wonder,” Mendes is seeking to reintroduce himself with guitar-forward, John Mayer-esq. singles like “Why Why Why” and “Nobody Knows.” “Shawn” releases Friday, Nov. 15.

    — Also on Friday, Nov. 15, the Florida rapper Denzel Curry will release “King of the Mischievous South,” the album version of his popular mixtapes — released in 2012 and “Vol. 2” in 2024 — of the same name. The tracklist has been reimagined, and it now features five new songs, including the braggadocious single “Still in the Paint,” featuring Bktherula and Lazer Dim 700. That one uses a sample of Lex Luger’s beat for Waka Flocka Flame’s “Hard In The Paint,” naturally.

    — As country music continues to dominate the culture zeitgeist, so too do its stars endeavor to learn more about the genre that made them. In the Hulu original docuseries “It’s All Country,” Luke Bryan aims to get at the heart of country’s stars and songs, sitting down with Wynonna Judd, Mickey Guyton, Kane Brown, Sheryl Crow, Luke Combs and Lady A for some moving conversations. It hits the streaming giant on Friday, Nov. 15.

    — AP Music Writer Maria Sherman

    — There’s another dead body and a suitcase of killer secrets in a new series of Apple TV+ dark comedy “Bad Sisters.” Showrunner Sharon Horgan again writes and stars alongside Sarah Greene, Eve Hewson, Eva Birtwhistle and Anne-Marie Duff as the Garvey sisters continue to deal with the fall out of season one. It returns Wednesday.

    — James Patterson’s psychologist detective Alex Cross finally has his own thriller TV show. In “Cross,” coming to Prime Video, Aldis Hodge stars as the charismatic and clever cop as he negotiates personal tragedy and brutal killings in Washington D.C. — helped by his bromance with fellow policeman John Sampson, played by Isaiah Mustafa. It premieres Thursday.

    — By Hilary Fox

    — Mike Tyson squares up against YouTuber-turned-boxer Jake Paul in a live fight happening Friday, Nov. 15 and streaming live on Netflix. “Jake Paul vs. Mike Tyson” was postponed in May after Tyson became nauseous and dizzy on a flight from Los Angeles in May. His representatives said it was due to an ulcer. Tyson, who is regarded as one of the greatest heavyweight boxers ever, is now 58 years old and Paul is 27.

    — “Yellowstone” may be airing its final episodes, but Taylor Sheridan has a new series debuting Sunday, Nov. 17 on Paramount+ called “Landman.” It’s based on the popular podcast “Boomtown” and described as an “Upstairs Downstairs” story about the world of oil rigs. It stars Billy Bob Thornton as a crisis manager for an oil company. Ali Larter, Jon Hamm and Demi Moore also have roles.

    — Alicia Rancilio

    — The Case of the Golden Idol, a devious collection of mysteries inspired by 1990s adventure games, was one of the most delightful surprises of 2022. Its creator — Latvian studio Color Gray Games — has returned with a sequel, The Rise of the Golden Idol, that looks every bit as charmingly morbid. The time frame has moved from the 18th century to the 1970s, but the titular idol, which may or may not have supernatural powers, is still creating havoc. Publisher Playstack promises a slicker interface to solve its word and logic puzzles, and says we can look forward to 20 new crimes in an “age of hallucinogens, fax machines, parapsychology and TV guides.” The investigation resumes Tuesday on PC, PlayStation 5/4, Xbox X/S/One, Switch and mobile via Netflix.

    — Lou Kesten



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