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Tag: Dies

  • Erie sports hall of famer, philanthropist Bill Vorsheck dies at 89

    Bill Vorsheck, a member of the Metro Erie Sports Hall of Fame and longtime philanthropist, died Thursday at the age of 89 years old.

    The Harborcreek Township native was a standout athlete and coach who also a member of the McDowell and Wesleyville Iroquois Lawrence Park athletic halls of fame.

    Bill Vorsheck

    Vorsheck earned seven varsity letters in football, basketball and track and field at Lawrence Park High School and was twice named all-Erie County League in football. He was named the MVP of the 1953 Save-An-Eye all-star football game when he caught five passes for 105 yards and blocked a punt to set up the only County touchdown.

    1935-2024:William J. Vorsheck Jr.



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  • Erie sports hall of famer, philanthropist Bill Vorsheck dies at 89

    Bill Vorsheck, a member of the Metro Erie Sports Hall of Fame and longtime philanthropist, died Thursday at the age of 89 years old.

    The Harborcreek Township native was a standout athlete and coach who also a member of the McDowell and Wesleyville Iroquois Lawrence Park athletic halls of fame.

    Bill Vorsheck

    Vorsheck earned seven varsity letters in football, basketball and track and field at Lawrence Park High School and was twice named all-Erie County League in football. He was named the MVP of the 1953 Save-An-Eye all-star football game when he caught five passes for 105 yards and blocked a punt to set up the only County touchdown.

    1935-2024:William J. Vorsheck Jr.



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  • Olympian Rebecca Cheptegei dies after being set on fire by boyfriend

    Olympian Rebecca Cheptegei dies after being set on fire by boyfriend

    NAIROBI, Kenya (AP) — Ugandan Olympic athlete Rebecca Cheptegei has died at a Kenyan hospital where she was being treated after 80% of her body was burned in an attack by her partner. She was 33.

    The country’s sports minister said authorities must do more to combat gender-based violence.

    A spokesperson at Moi Teaching and Referral Hospital in Eldoret city, Owen Menach, confirmed Cheptegei’s death on Thursday. Menach said the long-distance runner died early in the morning after her organs failed. She had been fully sedated on admission at the hospital.

    Olympic athlete Rebecca Cheptegei died Thursday at a Kenyan hospital where she was being treated after being set on fire by her boyfriend. AP
    She was 33. REUTERS

    Cheptegei competed in the women’s marathon at the Paris Olympics less than a month before the attack. She finished in 44th place.

    Her father, Joseph Cheptegei, told journalists at the hospital that he had lost a daughter who was “very supportive” and hopes to get justice.

    “As it is now, the criminal who harmed my daughter is a murderer and I am yet to see what the security officials are doing,” the father said. “He is still free and might even flee.”

    A hospital spokesperson said Cheptegei died after her organs failed. AFP via Getty Images
    Cheptegei, seen here in August 2023, competed at the Paris Olympics less than a month before the attack. AFP via Getty Images

    Trans Nzoia County Police Commander Jeremiah ole Kosiom said Monday that Cheptegei’s partner, Dickson Ndiema, bought a can of gasoline, poured it on her and set her ablaze during a disagreement Sunday. Ndiema was also burned and was being treated at the same hospital.

    Menach said Ndiema was still in the intensive care unit with burns over 30% of his body but was “improving and stable.”

    Cheptegei’s parents said their daughter bought land in Trans Nzoia to be near the county’s many athletic training centers. A report filed by the local chief said the two were heard fighting over the land where her house was built before the attack.

    She finished in 44th place at this year’s games. Istvan Derencsenyi/EPA-EFE/Shutterstock
    Police said Cheptegei’s partner, Dickson Ndiema (not pictured), bought a can of gasoline, poured it on her and set her ablaze during a disagreement Sunday. REUTERS

    The Uganda Athletics Federation eulogized Cheptegei on the social platform X, writing, “We are deeply saddened to announce the passing of our athlete, Rebecca Cheptegei, early this morning who tragically fell victim to domestic violence. As a federation, we condemn such acts and call for justice. May her soul rest In Peace.”

    Uganda Olympic Committee President Donald Rukare called the attack “a cowardly and senseless act that has led to the loss of a great athlete.”

    The Ugandan athlete’s father, Joseph Cheptegei (left), hopes to get justice. REUTERS
    “He is still free and might even flee,” Joseph, whose wife, Agnes Cheptegei, is pictured above, told reporters. REUTERS

    Kenya’s Sports Minister Kipchumba Murkomen said the government would ensure justice for the victim.

    “This tragedy is a stark reminder that we must do more to combat gender-based violence in our society, which in recent years has reared its ugly head in elite sporting circles,” he wrote in a statement.

    In 2023, Ugandan Olympic runner and steeplechaser Benjamin Kiplagat was found dead with stab wounds. In 2022, Kenyan-born Bahraini athlete Damaris Muthee was found dead and a postmortem report stated that she was strangled. In 2021, long distance runner Agnes Tirop was stabbed to death at her home. Her husband, Ibrahim Rotich, was arrested and charged with murder, the case is ongoing.

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  • Ugandan Olympic athlete, Rebecca Cheptegei, dies after being severely burned by her partner

    Ugandan Olympic athlete, Rebecca Cheptegei, dies after being severely burned by her partner

    Ugandan Olympic athlete Rebecca Cheptegei has died at a Kenyan hospital where she was being treated after 80% of her body was burned in an attack by her partner.

    She was 33.

    A spokesperson at Moi Teaching and Referral Hospital in Eldoret city, Owen Menach, confirmed Cheptegei’s death on Thursday.

    Menach said the long-distance runner died early in the morning after her organs failed. She had been fully sedated on admission at the hospital.

    Ugandan Olympic athlete Rebecca Cheptegei has died at a Kenyan hospital where she was being treated after 80% of her body was burned in an attack by her partner. She was 33. AP

    Cheptegei competed in the women’s marathon at the Paris Olympics less than a month before the attack. She finished in 44th place.

    Her father, Joseph Cheptegei, told journalists at the hospital that he had lost a daughter who was “very supportive” and hopes to get justice.

    Trans Nzoia County Police Commander Jeremiah ole Kosiom said Monday that Cheptegei’s partner, Dickson Ndiema, bought a can of gasoline, poured it on her and set her ablaze during a disagreement Sunday.

    Ndiema was also burned and was being treated at the same hospital.

    Menach said Ndiema was still in the intensive care unit with burns over 30% of his body but was “improving and stable.”

    Cheptegei competed in the women’s marathon at the Paris Olympics less than a month before the attack. She finished in 44th place. AFP via Getty Images

    Cheptegei’s parents said their daughter bought land in Trans Nzoia to be near the county’s many athletic training centers.

    A report filed by the local chief said the two were heard fighting over the land where her house was built before the attack.

    The Uganda Athletics Federation eulogized Cheptegei on the social platform X, writing, “We are deeply saddened to announce the passing of our athlete, Rebecca Cheptegei, early this morning who tragically fell victim to domestic violence.

    Cheptegei’s parents said their daughter bought land in Trans Nzoia to be near the county’s many athletic training centers. China News Service via Getty Images

    As a federation, we condemn such acts and call for justice. May her soul rest In Peace.”

    Uganda Olympic Committee President Donald Rukare called the attack “a cowardly and senseless act that has led to the loss of a great athlete.”

    In 2023, Ugandan Olympic runner and steeplechaser Benjamin Kiplagat was found dead with stab wounds.

    In 2022, Kenyan-born Bahraini athlete Damaris Muthee was found dead and a postmortem report stated that she was strangled.

    In 2021, long distance runner Agnes Tirop was stabbed to death at her home.

    Her husband, Ibrahim Rotich, was arrested and charged with murder, the case is ongoing.

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  • Michael Stone, Psychiatrist and Scholar Who Studied Evil, Dies at 90

    Michael Stone, Psychiatrist and Scholar Who Studied Evil, Dies at 90

    Dr. Michael H. Stone, a psychiatrist and scholar who sought to define evil and to differentiate its manifestations from the typical behavior of people who are mentally ill, died on Dec. 6 at his home in Manhattan. He was 90.

    The cause was complications of a stroke he had in January, his son David said.

    Dr. Stone was best known to the public as the author of the book “The Anatomy of Evil” (2009) and as the host from 2006 to 2008 of the television program “Most Evil,” for which he interviewed people imprisoned for murder to determine what motivated them to engage in an evil criminal act.

    He ranked the acts on a 22-category scale of his creation. Modeled on Dante’s nine circles of hell, his taxonomic scale ranged from justifiable homicide to murders committed by people whose primary motivation was to torture their victims.

    Only human beings are capable of evil, Dr. Stone wrote in “The Anatomy of Evil,” although evil is not a characteristic that people are born with. He acknowledged that while acts of evil were difficult to define, the word “evil” was derived from “over” or “beyond,” and could apply to “certain acts done by people who clearly intended to hurt or to kill others in an excruciatingly painful way.”

    For an act to be evil, he wrote, it must be “breathtakingly horrible” and premeditated, inflict “wildly excessive” suffering and “appear incomprehensible, bewildering, beyond the imagination of ordinary people in the community.”

    “Mike’s major contribution to psychiatry was sharpening the distinction between mental illness and evil,” Dr. Allen Frances. a former student of Dr. Stone’s who is now chairman emeritus of the department of psychiatry and behavioral sciences at Duke University School of Medicine in Durham, N.C., said in a phone interview.

    “The problem,” Dr. Frances said, “is that with every mass murderer, every crazy politician, every serial killer, the first tendency in the public mind and the media is that he’s mentally ill.” Dr. Stone, he said, helped to change that default position.

    Dr. Stone became known for his book “The Anatomy of Evil” and for hosting the TV program “Most Evil.”Credit…Prometheus Books

    Analyzing the biographies of more than 600 violent criminals, Dr. Stone identified two predominant personality traits: narcissism, to the point of having little or no ability to care about their victims; and aggression, in terms of exerting power over another person to inflict humiliation, suffering and death.

    In “The New Evil: Understanding the Emergence of Modern Violent Crime” (2019), a sequel to Dr. Stone’s 2009 book, he and Dr. Gary Brucato warned that since the 1960s there had been an “undeniable intensification and diversification” of evil acts committed mostly by criminals who “are not ‘sick’ in the psychiatric and legal sense, as much as psychopathic and morally depraved.”

    The reasons, they wrote, included greater civilian access to military weaponry; the diminution of both individual and personal responsibility, as preached by fascist and communist governments earlier in the 20th century; sexual liberation, which unleashed other inhibitions; the ease of communication on cellphones and the internet; the rise of moral relativism; and a backlash against feminism.

    In 2000, Dr. Stone figured in a sensational murder trial that tested the limits of doctor-patient confidentiality. He wanted to testify in the murder trial of Robert Bierenbaum, a plastic surgeon and former patient of his who was accused of killing his wife, Gail Katz-Bierenbaum, in 1985.

    Dr. Stone had written a letter to his patient’s wife two years before her death, advising her to live apart from her husband for her own safety. He had asked that she sign and return it, but she never did. He had also contacted Dr. Bierenbaum’s parents, with his permission.

    The judge ultimately excluded Dr. Stone’s testimony from the trial on the basis of professional confidentiality. But the testimony of several other witnesses about the letter contributed to Dr. Bierenbaum’s conviction.

    Michael Howard Stone was born on Oct. 27, 1933, in Syracuse, N.Y., the grandson of Eastern European immigrants. His father, Moses Howard Stone, owned a wholesale paper business. His mother, Corinne (Gittleman) Stone, was a homemaker.

    A prodigy who learned Latin and Greek as a child, he was only 10 years old when he began seventh grade. As the youngest and smallest student in the school, as well as the only Jewish one, he formed an alliance with a 17-year-old classmate who was a boxer, his son David said: Mike would do the classmate’s homework, and the classmate would protect him from local antisemitic bullies.

    He entered Cornell University in Ithaca, N.Y., when he was 16, enrolling in a premedical curriculum but double-majoring in classics in case he was rejected by medical schools that had already met their quota of Jewish students. He enrolled in Cornell Medical School in Manhattan after graduating from Cornell in 1954 and received his medical degree in 1958.

    He originally studied hematology and cancer chemotherapy at Sloan Kettering Institute in Manhattan, but his mother’s chronic pain disorder prompted him to switch to neurology and then, eventually, to psychiatry. He did his residency at the New York State Psychiatric Institute at Columbia Presbyterian Hospital, where he met Dr. Clarice Kestenbaum, whom he married in 1965.

    He is survived by two sons, David and John Stone, from that marriage, which ended in divorce in 1978; his wife, Beth Eichstaedt; his stepchildren, Wendy Turner and Thomas Penders; three grandchildren; and one great-grandson.

    Dr. Stone spoke 16 languages and, like a vestige from another era, customarily wore three-piece suits. He was known for his impish sense of humor: His latest book, “The Funny Bone,” published this year, is a collection of his cartoons, jokes and poems.

    An amateur carpenter, he built the shelves that housed his library of 11,000 books. His collection included about 60 books on Hitler — further evidence, like his memories of childhood bullying, of his yearning to define evil.

    As a psychiatrist, a psychoanalyst and for many years a professor of clinical psychiatry at Columbia University College of Physicians and Surgeons, Dr. Stone also conducted a long-term study of patients with borderline personality disorders, including those who had contemplated suicide. He concluded that, often as a result of therapy and other treatment, the condition of about two-thirds of them had improved appreciably some 25 years later.

    In “The New Evil,” Dr. Stone and Dr. Brucato offered a possible explanation for why “particularly heinous and spectacular crimes,” especially those committed in America and by men, had been on the rise since the 1960s. They warned against “the rise of a sort of ‘false compassion,’ in which the most relentless, psychopathic persons are sometimes viewed as ‘victims.’”

    The two concluded by invoking a familiar metaphor: A frog dropped in a pot of boiling water will immediately try to escape; but, if placed in cold water that is gradually heated, the frog will remain complacent until it’s too late.

    “It is our ardent hope that, after a period of terrible growing pains, our culture will eventually learn that true power and control come only after a lifelong process of mastering and inhibiting the self,” they wrote. “Perhaps, as a first step, we should admit that the water in our collective pot is growing disquietingly warmer, day by day.”

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  • Vera Molnar, Pioneer of Computer Art, Dies at 99

    Vera Molnar, Pioneer of Computer Art, Dies at 99

    Vera Molnar, a Hungarian-born artist who has been called the godmother of generative art for her pioneering digital work, which started with the hulking computers of the 1960s and evolved through the current age of NFTs, died on Dec. 7 in Paris. She was 99.

    Her death was announced on social media by the Pompidou Center in Paris, which is scheduled to present a major exhibition of her work in February. Ms. Molnar had lived in Paris since 1947.

    While her computer-aided paintings and drawings, which drew inspiration from geometric works by Piet Mondrian and Paul Klee, were eventually exhibited in major museums like the Museum of Modern Art in New York and the Los Angeles County Museum of Art, her work was not always embraced early in her career.

    “Vera Molnar is one of the very few artists who had the conviction and perseverance to make computer-based visual art at a time when it was not taken seriously as an art form, with critics denouncing the emergent form since they did not believe that the artist’s hand was evident in the work,” Michael Bouhanna, the global head of digital art at Sotheby’s, wrote in an email.

    Ms. Molnar in fact began to employ the principles of computation in her work years before she gained access to an actual computer.

    In 1959, she began implementing a concept she called “Machine Imaginaire” — imaginary machine. This analog approach involved using simple algorithms to guide the placement of lines and shapes for works that she produced by hand, on grid paper.

    She took her first step into the silicon age in 1968, when she got access to a computer at a university research laboratory in Paris. In the days when computers were generally reserved for scientific or military applications, it took a combination of gumption and ’60s idealism for an artist to attempt to gain access to a machine that was “very complicated and expensive,” she once said, adding, “They were selling calculation time in seconds.”

    Still, she later said in an interview with the art curator and historian Hans Ulrich Obrist, “In 1968 we thought that everything was possible, and all you have to do is knock on the doors and the doors open.” Even so, she was met with skepticism from the head of the computer lab.

    “He gave me a look,” she said, “and I had the feeling that he was considering whether he should call for a nurse to sedate me or lock me up.”

    Making art on Apollo-era computers was anything but intuitive. Ms. Molnar had to learn early computer languages like Basic and Fortran and enter her data with punch cards, and she had to wait several days for the results, which were transferred to paper with a plotter printer.

    One early series, “Interruptions,” involved a vast sea of tiny lines on a white background. As ARTNews noted in a recent obituary: “She would set up a series of straight lines, then rotate some, causing her rigorous set of marks to be thrown out of alignment. Then, to inject further chaos, she would randomly erase certain portions, resulting in blank areas amid a sea of lines.” Another series, “(Des)Ordres” (1974), involved seemingly orderly patterns of concentric squares, which she tweaked to make them appear slightly disordered, as if they were vibrating.

    Over the years, Ms. Molnar continued to explore the tensions between machine-like perfection and the chaos of life itself, as with her 1976 plotter drawing “1% of Disorder,” another deconstructed pattern of concentric squares. “I love order, but I can’t stand it,” she told Mr. Obrist. “I make mistakes, I stutter, I mix up my words.” And so, she concluded, “chaos, perhaps, came from this.”

    Viewers of her work were not always entranced. Ms. Molnar recalled one exhibition at which visitors would, she joked, “look to the side so as not to get some kind of terrible eye affliction from looking at them.” She eventually spoke out, telling a skeptical visitor that computers, like artworks, were made by intelligent humans, and that therefore “the most human art is made by computer, because every last bit of it is a human invention.”

    “Oh my, the reactions I got!” she said. “But I survived, you know.”

    Vera Gacs was born on Jan. 5, 1924, in Budapest. She found early artistic influence from an uncle who was a “Sunday painter,” as she put it in a 2012 interview.

    “I went to his house to admire him; he painted clearings, undergrowth with dancing nymphets,” she said. “The smell of the oil paint, the little green and yellow leaves, enchanted me.” Her uncle gave her a wooden box of pastels, which she used to draw evening sunsets at the family’s country house near Lake Balaton.

    Ms. Molnar went on to study art history and aesthetics at the Hungarian University of Fine Arts, where she met her future husband, François Molnar, a scientist who at times collaborated with her on her work.

    Mr. Molnar died in 1993. Information about survivors was not immediately available.

    After Ms. Molnar graduated in 1947, the couple moved to Paris, where she began her art career and found herself mingling in cafes with prominent abstract artists, like Victor Vasarely, Fernand Léger and Wassily Kandinsky, who also brought a geometric sensibility to their work.

    By the early 1960s, she was enough of a recognized figure in the art world to join with François Morellet, Julio Le Parc, Francisco Sobrino and others to form the influential collective Groupe de Recherche d’Art Visuel, which sought to incorporate science and industrial materials into the making of art.

    Her career continued to expand in scope in the 1970s. She began using computers with screens, which allowed her to instantly assess the results of her codes and adjust accordingly. With screens, it was “like a conversation, like a real pictorial process,” she said in a recent interview with the generative art creator and entrepreneur Erick Calderon. “You move the ‘brush’ and you see immediately if it suits you or not.”

    Ms. Molnar acquired her first personal computer in 1980, allowing her to “work as I wanted and when I wanted,” she told Mr. Calderon. “It was great to go to bed at night and hear the computer and the plotter working by themselves in the workshop.”

    While the art world was slow to fully recognize Ms. Molnar’s work, her reputation has grown in recent years with the explosion of digital art. In 2022, she exhibited at the Venice Biennale, where she was the oldest living artist shown.

    Earlier this year, she cemented her legacy in the world of blockchain with “Themes and Variations,” a generative art series of more than 500 works using NFT technology that was created in collaboration with the artist and designer Martin Grasser and sold through Sotheby’s. The series fetched $1.2 million in sales.

    “I have no regrets,” she said in a 2017 video interview. “My life is squares, triangles, lines.”



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