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Tag: Dynasty

  • Guardiola’s men look lost as his once impregnable football dynasty falls apart | Manchester City

    Pep Guardiola kept holding up six fingers. The Liverpool fans were in delirium and the Liverpool players were jigging and jiving across the turf, and his own players had gone over to applaud the travelling support, which is really the least anyone deserves after attempting to travel across northern England on a Sunday.

    Still Guardiola kept holding up six fingers: proudly, almost incredulously, as if discovering the concept of fingers for the very first time. What did it all mean? The number of defeats since they last won a game? The position in which they most desperately require reinforcements in January? The number of touches, over 90 minutes, that Erling Haaland had in the final third?

    A new empire may yet rise, but this one is done. And before we talk what-nows and what‑nexts, we should probably dwell a little on the sheer concussive speed of the collapse. A collapse that as recently as a fortnight ago was believed not just improbable but inconceivable. Should we be more shocked that a dynasty this impregnable can basically implode in three weeks? Or more shocked at the feat of sustaining a dynasty this impregnable in a world where they can implode in three weeks?

    Perhaps the ultimate measure of the standards Manchester City have set over the past four seasons was what happened when they briefly let those standards slip. Nobody noticed how fast the Titanic was going until it stopped. Nobody realised just how bloodthirsty the chasing pack was until it finally found something to devour. And on a riotous Anfield afternoon, it was Liverpool who came to eat.

    No mercy and no brakes. They score early, the dazzling flourish to an electrifying opening act in which they essentially disdain the idea that anybody might want to resist them. City barely do. Manuel Akanji stands off Mohamed Salah, Kyle Walker loses the run of Cody Gakpo and right at the start of the move Trent Alexander-Arnold nails an incredible 70-yard long pass that – remarkably – will not be his best 70-yard pass of the half. But he does so from the base of midfield with absolutely no pressure on him: five City players close, but none willing to engage.

    ‘Maybe I deserve to be sacked’: Guardiola laments loss as Slot has ‘no empathy’ – video

    This isn’t tactics. You cannot remotely conceive of a scenario in which Guardiola would want his players to stand off in that situation. But either they cannot or they will not, and either way the buck still probably has to stop with the coach. Whatever levers Guardiola is tugging – refinement, renewal, cajoling, confrontation – he is not getting a response.

    For Arne Slot, it helps that the messages are still fresh, that the structures are already drilled and honed, that he inherited a squad finely balanced between experience and youth, that he is so clearly prepared to change what does not work (the Brighton and Bayer Leverkusen games the clearest examples of this), that this team is so clearly a meritocracy. Contrast this with Guardiola’s decision to drop Ederson, presumably as punishment for the rush of blood against Feyenoord in midweek, while doubling down on the 4-4-2 system that led directly to that comeback.

    It helps, too, that there are leaders in the dressing room who can feel their own careers sharpening to a point. Perhaps it was not simply coincidence that Salah, Alexander-Arnold and Virgil van Dijk were probably Liverpool’s three best players here. All of their contracts are up in the summer. Salah has already started taking his shirt off a lot more when he scores, which is a clear statement of intent to potential suitors. Right now, it feels odds against that all three will still be at the club next season.

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    And if, on some level, Liverpool can be accused of a certain carelessness in allowing three of their biggest stars to run down their contracts at the same time, with the possible consequence that they will again forget to replace Andrew Robertson, then in the short term at least there is a certain alignment of mission here. Slot’s first season will probably also be the final hurrah of the great Jürgen Klopp team before it is finally broken up for parts. There is an urgency and a romance there. That team really deserved more than one title. Well, here’s your chance, and it’s probably the last.

    Ironically, there is in all this a potential solution for City. The vultures are circling; the lawyers are grappling; a fifth title in a row is probably gone but there is still plenty to be salvaged from this season. What’s missing is the “why”. Why flog your guts out for another league title? The treble has been won, the post‑treble slump avoided, every critic answered. What’s the big idea now?

    Perhaps Guardiola squandered that idea when he announced he was staying for two more years. But it’s not too late to recant, not too late to give this season some shape and meaning, to give his players a reason to fight. Pep’s last season. The legacy of a legend. And to the club for whom he gave everything: one final heartfelt act of love.

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  • Technology unlocks Han Dynasty lifestyle at Mawangdui site for the public in reality

    Technology unlocks Han Dynasty lifestyle at Mawangdui site for the public in reality

    Yang Jiyuan, a restorer of ancient silk textile, and her apprentices study the details of the drawings on a Western Han Dynasty robe. Photo: Courtesy of Nanjing Yunjin Research Institute

    Yang Jiyuan, a restorer of ancient silk textile, and her apprentices study the details of the drawings on a Western Han Dynasty robe. Photo: Courtesy of Nanjing Yunjin Research Institute

     
    Editor’s Note: 

    Fifty years ago, not only the archaeological community but also ordinary people were stunned by the excavation of the Mawangdui Han Tombs. Among the findings was a remarkable discovery known as China’s “Sleeping Beauty” (Lady Xin Zhui), an over 2,100-year-old lady who looks nearly as good as she did when she was buried after her death at the age of about 50, during China’s Western Han Dynasty (206BC-AD25). The world has marveled at the mystery behind her body, as well as the numerous precious treasures unearthed from the tombs, including textiles, bamboo and silk manuscripts. 

    In this Mawangdui trilogy, the Global Times Culture Desk explores how digital technologies have brought the public closer to the heritage and how the “Mawangdui IP” was revived by the creative industries. This is the third installment.


    Visitors explore <em>The Art of Life: Multimedia Exhibition of Mawangdui Han Culture</em> in Changsha, Central China's Hunan Province. Photo: IC

    Visitors explore The Art of Life: Multimedia Exhibition of Mawangdui Han Culture in Changsha, Central China’s Hunan Province. Photo: IC

    Although there are many sites in China that can embody the country’s Han Dynasty (206BC-AD220) history, Mawangdui is the most exceptional one mainly due to its mysterious finds like the 2,100-year-old mummified aristocrat that is known as Lady Xin Zhui. 

    Three excavations on the site were carried out from 1972 to 1974. At that time, such excavations brought a research craze to the academic field worldwide. Thanks to new means such as the digital technology, such a scholarly craze in the past 50 years has been extended to the public, especially among the young people.

    Decoding mystery    

    Lady Xin Zhui’s silk garments are Mawangdui Han Tombs’ stellar artifacts. Due to their brittle and fragile nature, many original pieces are now only stored as archives at the Hunan Museum in Changsha, Central China’s Hunan Province. To connect the heritage with people, making replication for public display was a crucial task. The task engages both technological tools and the ingenuity of textile experts like Yang Jiyuan. 

    Yang, a restorer of ancient silk textile in Nanjing, East China’s Jiangsu Province, has replicated seven Lady Xin Zhui’s garments since 2016. She told the Global Times that the printed and painted floss silk-padded gauze robe was one of the most challenging tasks. 

    Through examination using a microscope and creating 3D modeling of the original “printed and painted gauze robe,” Yang revealed to the Global Times that the piece’s air-like fabric actually consists of seven sheerest silk layers, and the thickness of each one of them is like “one-third of the tissue’s thickness.”

    Matching such almost disappearing silk textiles together was not the most challenging task. Yang told the Global Times that the “painting” process was even harder since the colors should keep looking “not too vibrant and new.” 

    She said the gauze needs to be “1:1 the same to the original one” that has more than 2,000 years of history. Thanks to advanced technologies that can decode the ingredients and composition of ancient fabrics, Yang discovered that Lady Xin Zhui’s garment was painted in natural mineral dye and was covered with an extra “glue-like substance” to make it look understated while in a good shape. She said that she was only one of the heritage protectors in China, who has “felt the responsibility to show the public a legacy’s authentic aesthetics and story.” 

    “Technological tools are our assistants. They ensure the history we deliver to the public is correct,” Xiang Benshan, a restorer of underwater ceramic relics, told the Global Times. 

    Cross-field collaborations 

    Other than the research sector, technological innovations are now diversely applied on shows that relate to the Mawangdui Han Tombs. 

    Currently, a blockbuster show called The Art of Life: Multimedia Exhibition of Mawangdui Han Culture is ongoing at the Hunan Museum. The immersive digital project, a collaboration between the Hunan Museum, Digital Library of China, and the Harvard FAS CAMLab, presents a new model for showcasing the Mawangdui Han Tombs through multimedia installations. 

    The show includes three thematic sections such as “Time and Space.” They highlight the artistic grandeur and spiritual reflections of ancient Chinese, giving insight into their concepts of life, death and afterlife.

    Lü Chenchen, associate director of Harvard FAS CAMLab, told the Global Times that the future of Mawangdui-themed exhibitions lies in global academic collaboration and the integration of advanced technologies such as VR tools and interactive animations. 

    “By partnering internationally, institutions can leverage cultural IPs like the Mawangdui Han Tombs and digital tools to broaden access to historical knowledge from different perspectives and different disciplines,” Lü told the Global Times. 

    If the research lab and the museum are where the Mawangdui IP provides intellectual inspirations to people, then the site’s cross-field collaborations with the cultural and creative industries have made the heritage a joy of people’s everyday lives. 

    The Hunan Museum recently collaborated with a food brand to launch a “Mawangdui spicy strip,” one of the favorite snacks by young people that is also known as La Tiao. 

    At the museum’s “digital Han lifestyle experiencing center,” symbols of relics like the round lacquer plate and Lady Xin Zhui’s garments have been printed on products like scarves, fans and cakes.  

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