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Tag: Executives

  • Robert Downey Jr. says he ‘intends to sue’ all future executives who use his AI replica

    Robert Downey Jr. says he ‘intends to sue’ all future executives who use his AI replica

    LOS ANGELES — LOS ANGELES (AP) — Robert Downey Jr. doesn’t think Marvel executives would ever recreate his portrayal of Tony Stark using artificial intelligence. But if they did, he would lawyer up — even posthumously.

    On a recent episode of the “On With Kara Swisher” podcast, the Oscar-winning actor said he intends to “sue all future executives” who allow an AI-created version of him. Speaking about his role as Iron Man, Downey said he does not want his likeness recreated by AI technology.

    “I am not worried about them hijacking my character’s soul because there’s like three or four guys and gals who make all the decisions there anyway and they would never do that to me, with or without me,” Downey said.

    Swisher noted that those executives would eventually be replaced.

    “Well, you’re right,” Downey said. “I would like to here state that I intend to sue all future executives just on spec.”

    “You’ll be dead,” Swisher said.

    Downey replied: “But my law firm will still be very active.”

    Representatives for Marvel Studios and for Downey did not immediately respond to a request for comment.

    The discussion comes amid the Hollywood video game performers’ strike, which began in July after more than 18 months of negotiations over a new interactive media agreement with game industry giants broke down over artificial intelligence protections.

    Leaders of the Screen Actors Guild-American Federation of Television and Radio Artists have billed the issues behind the labor dispute — and AI in particular — as an existential crisis for performers. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months. SAG-AFTRA ultimately signed a deal requiring productions to get the informed consent of actors whose digital replicas are used.

    A spokesperson for SAG-AFTRA said that Downey has the right to deny any digital replica uses in film because of California’s new law prohibiting the unauthorized replication of a dead performer’s likenesses without prior consent. That law, signed by California Gov. Gavin Newsom in September, was sponsored by the union.

    Downey made his Broadway debut this month in “McNeal,” a one-act play by Ayad Akhtar that delves into themes of artificial intelligence, artistic integrity, plagiarism and copyright infringement. The 59-year-old actor plays the titular character, Jacob McNeal, an acclaimed novelist whose battles with alcoholism and mental illness culminate at a crucial juncture in his career.

    “I don’t envy anyone who has been over-identified with the advent of this new phase of the information age,” Downey said. “The idea that somehow it belongs to them because they have these super huge start-ups is a fallacy.”

    The podcast episode explored questions the play raises about truth and power in the age of AI, and whether there is a “social contract” related to the use of AI.

    Downey’s upcoming role as Doctor Doom in “Avengers: Doomsday” will bring him back to the Marvel Cinematic Universe in 2026.

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  • Television executives freak out over 2029

    Television executives freak out over 2029

    CNBC Sport launches weekly newsletter

    A version of this article first appeared in the CNBC Sport newsletter with Alex Sherman, which brings you the biggest news and exclusive interviews from the worlds of sports business and media. Sign up to receive future editions, straight to your inbox.

    At $111 billion over 11 years, the NFL‘s media rights deal is the biggest in the U.S. That deal has an out clause after the 2029 season with all of its media partners except Disney (which can opt out one year later). 

    Sources tell me the opt-out also affects “Sunday Ticket,” the league’s out-of-market package for which Alphabet‘s YouTube paid about $2 billion. That means that after the 2029 Super Bowl, the NFL has the right to completely rejigger the media landscape, if it so chooses. 

    Five years is a lifetime in the media industry given the rapid pace of change. To put that timeframe in perspective, if you rewind five years from today, Disney+, NBCUniversal‘s Peacock, Paramount+ and Max (formerly known as HBO Max) all hadn’t launched. Now they have more than 300 million subscribers combined.

    But it’s not too early to start thinking about what 2029 symbolizes. I don’t think it’s hyperbole to say 2029 could be the end of the modern media era. It’s at least plausible that by that time, streaming has become so dominant that the NFL feels comfortable moving some Sunday afternoon packages away from broadcast TV, especially given the superior balance sheets and potential global reach of companies such as Netflix, Google, Apple and Amazon.

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    Let me be clear: The evidence today suggests the NFL won’t do this. TV ratings for football on CBS, Fox and NBC look great. CBS’s Week 2 Bengals-Chiefs matchup was the most-watched September NFL game since 1998 with nearly 28 million viewers. NFL games last year were 93 of the top 100 most-watched TV broadcasts.

    But I also know that some legacy media executives are already thinking about 2029 and brainstorming internally about how they can afford to compete against the tech giants for NFL games. The ideas range from the incremental (a third Sunday afternoon package) to the radical: What if the NFL replaced Sunday Ticket with a college model where every game had a national audience? 

    It’s not totally absurd. Local market broadcasting rules are simultaneously important to the league and increasingly anachronistic. Technology is no longer the issue. Streaming services can host multiple games at the same time. If there are enough bidders for packages of games, the league could conceivably make more money by selling packages to many media partners than it could by sticking with the Sunday Ticket model, which nearly cost the league $4.7 billion in damages when a jury decided it ran amok of antitrust law. (A judge bailed out the NFL by throwing out that verdict last month.) 

    Josh Allen #17 of the Buffalo Bills scrambles out of the pocket during an NFL football game against the Miami Dolphins at Hard Rock Stadium on September 12, 2024 in Miami Gardens, Florida.

    Perry Knotts | Getty Images

    On the flip side, having multiple games compete against each other nationally may end up being less lucrative to media companies and the league. YouTube pays about $2 billion per year for Sunday Ticket in its current deal.  It’s a very complicated analysis, but it’s almost certainly one the NFL will examine.

    “It’s such a good thought exercise,” said MoffettNathanson’s Robert Fishman. “If this is a different way to leverage broadcast networks’ important broader national reach while keeping local availability in place, then it’s worth the analysis.”

    The NFL hasn’t been shy about inviting many partners under the tent. Beyond YouTube, the NFL has partnered with Netflix to carry Christmas games for the next three years. Amazon pays the league about $1 billion per year to carry Thursday Night Football. 

    The league wants tech partners and the league wants broadcast partners. The NBA, in its most recent rights deal, only wanted three media packages to help with consumer confusion and subscription fatigue. 

    But the NFL doesn’t appear to have the same concerns. The NFL has already put games exclusively on Amazon Prime and NBCUniversal’s Peacock, and ratings have remained strong. 

    Given how popular NFL games are versus everything else on TV, the architecture of the NFL rights is the single biggest decision in the American media industry. It’ll be a topic that looms over the biggest media and entertainment decisions of the next five years.

    A couple of other news & notes …

    • For the professional wrestling fans in the house, I’m hearing Warner Bros. Discovery is on pace to ink a deal with upstart wrestling league All Elite Wrestling (AEW) by the end of this month. AEW’s current agreement with Warner Bros. Discovery’s Turner Sports ends at year’s end. 
    • This week, Paramount Global formally eliminated a large portion of the 2,000 jobs it announced it’s cutting in August. But, in a nod to the importance of sports to the future of the company, I’m told none of the cuts impacted CBS Sports.

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