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Tag: Photographer

  • ‘I’ve seen it all as first woman sport photographer’

    ‘I’ve seen it all as first woman sport photographer’

    HY MONEY / TOPFOTO Crystal Palace ladies player in play with the ball coming towards her with spectators standing on the grass behind her watching the matchHY MONEY / TOPFOTO

    The Crystal Palace Ladies players in the 1970s had primitive facilities for both teams and fans

    “What you got in your handbag love, is that your knitting? Shouldn’t you be in the kitchen?”.

    Those were among the insults Hy Money recalls when she first entered a 1970s press room at Crystal Palace’s Selhurst Park ground.

    “One chap walked up and deliberately barged into me,” she remembers. “‘Oh, sorry Sir I didn’t see you there,’ he said, trying to make his point.”

    While the football club quickly embraced her as one of their own, Ms Money still faced significant barriers.

    Hy Money holding a black and white picture of a crowded football stadium. Behind her is a life-sized cutout of two Crystal Palace football players in action.

    Hy Money has spent decades pitch side capturing Palace’s big moments

    Her initial application for a National Union of Journalists (NUJ) pass was also denied due to a petition signed by 40 men.

    Ms Money’s refusal to accept these setbacks led her to become the country’s first accredited female sports photographer.

    Born in Bangalore, India, Hy Money moved to the UK at 19 with a camera in hand.

    “My Mum sent me to England and told me to take a photo of the Queen,” she says. “I’ve barely put the camera down since.”

    While she never photographed the Queen, Crystal Palace provided her with countless opportunities.

    HY MONEY/ TOPFOTO Two Crystal Palace ladies players walking side-by-side on pitch holding a trophy together one hand each and their fists raised.HY MONEY/ TOPFOTO

    An 8-0 win over North Warnborough Belles saw Palace clinch the Women’s Home Counties League title at the first attempt

    HY MONEY/ TOPFOTO A black and white photo of a women's football match in the 1970s, featuring players from Crystal Palace Ladies in action on the field. Three players are in focus, with one player attempting to kick the ball while others look on. The background shows a nearly empty stadium with a few spectators seated on the stands.HY MONEY/ TOPFOTO

    Hy Money’s camera lens became a regular feature at Crystal Palace Ladies matches

    Her first chance to photograph Crystal Palace came from her own initiative.

    “One of my sons wanted to see Crystal Palace play. We went to a game, and I immediately wanted to photograph a match,” she recounts.

    After receiving no response to her requests for a photographer’s pass, she visited Selhurst Park and insisted on meeting manager Bert Head. Her persistence paid off when Mr Head, albeit begrudgingly, granted her a pass.

    However, her first visit to Wembley was met with resistance.

    “As I got to the door, the chap there said, ‘over my dead body love. Is there nowhere sacred you women don’t want to stick your noses in?’,” she recalls.

    Despite recognising some photographers in the queue, no one assisted her, forcing her to watch the match from her car while her sons attended.

    HY MONEY/ TOPFOTO A newspaper clipping from 1972 with the headline "A Step Forward for Ladies Soccer," featuring a photo of the Crystal Palace Ladies' football team. The article highlights the team's participation in an international tournament in Germany, marking progress for women's football.HY MONEY/ TOPFOTO

    Crystal Palace Ladies FC, newspaper report (South Londoner on 7 June 1972) covering their May 1972 tour to Duisburg, Germany

    Determined to continue, Ms Money challenged the NUJ’s decision to deny her accreditation.

    “There’s no law against women taking sports photographs,” she insisted.

    She hired a solicitor, met all membership requirements, and ultimately became the first female NUJ sports photographer. Her work soon featured in the Crystal Palace programme, the Croydon Advertiser and The Evening Standard, among other publications.

    Crystal Palace Women, originally known as Ladies until June 2019, were founded in 1992 following the FA’s 1970 decision to lift a 50-year ban on women playing football. This led to the creation of numerous teams affiliated with top men’s clubs.

    As a freelance photographer, Ms Money has documented women playing under the Crystal Palace banner for more than half a century.

    One of her earliest photos captures two players celebrating an 8-0 home win over North Warnborough Belles, clinching the Home Counties League title in the early 1970s.

    “I used to photograph the ladies’ games on the most terrible pitches. Hackney Marshes could be brutal but better than some places. To see them playing here is wonderful,” Ms Money tells BBC London while capturing a recent training session at the club’s state-of-the-art Beckenham venue.

    The £20m facility, opened three years ago, now houses both the men’s academy and the women’s first team.

    ‘Paved the way’

    In April, on a sunny afternoon at Selhurst Park, a goalless draw with Sunderland secured Crystal Palace’s promotion to England’s top division for the first time.

    “They are my extended family,” says Ms Money. “To see them playing in the WSL [Women’s Super League] is like watching my children grow and flourish.”

    During her latest visit, Ms Money focused her lens on head coach Laura Kaminski and captain Aimee Everett. Appointed in summer 2023, Kaminski led the team to promotion to the WSL in her first season, with Ms Everett playing a pivotal role in midfield.

    HY MONEY/ TOPFOTO A photo of a Crystal Palace football player kneeling on the pitch in celebration with arms raised, while another teammate stands nearby. Both players are wearing Crystal Palace's red and blue kit. In the background, spectators are cheering in the stands.HY MONEY/ TOPFOTO

    Ms Money continues to capture the highs and lows at Selhurst Park

    Today, while salary disparities between women’s and men’s football persist, all first-team players in the WSL are professional.

    “Everyone involved in women’s football understands the struggles of Hy’s generation and others who paved the way,” says Aimee Everett.

    Coach Kaminski also acknowledges Ms Money’s pioneering role.

    “There are still battles to be fought and won in women’s football, but we’re in a much better place thanks to the likes of Hy.”

    The walls of the Allison Suite at Selhurst Park – named after the charismatic manager from the 70s and 80s – are now adorned with her work.

    “I’ve seen it all,” says Ms Money. “Promotions, relegations, play-offs, cup finals, great players like Ian Wright.”

    ‘Long may it continue’

    For much of the women’s team’s history, media attention was scarce, but Ms Money consistently kept them in her frame.

    “Sports photography is sports photography,” she explains.

    “I’m more invested in the visuals of the game than the emotions. It’s about the beauty of movement.

    “I first saw that beauty photographing my young boys playing football in the garden, leaping through the air to catch or kick a ball. You see that in all football, men’s and women’s, at whatever level.”

    Hy Money, holding a camera, stands between two smiling women in sports gear, draped in red and blue garlands. A man takes their photo outdoors on a sports field.

    Ms Money says the Crystal Palace team are like “extended family”

    Ms Money’s message to women aspiring to enter the male-dominated world of sports is clear: “Never give up.”

    “If you feel that is what you want to do, give it a try,” she advises. “Just keep pursuing it because there is nobody who can say you cannot do that. Those days have gone; you can aspire to do anything now. I’ve proved that. Crystal Palace Women have proved that.

    “Long may it continue.”

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  • British photographer Rankin’s advertising agency files for bankruptcy amid tough ‘shift in the creative landscape’

    British photographer Rankin’s advertising agency files for bankruptcy amid tough ‘shift in the creative landscape’

    Rankin Group, the advertising agency run by the British photographer, publisher and film director Rankin, has filed for bankruptcy, owing employees more than £300,000 and the UK tax authority (HMRC) more than £1m.

    Rankin, whose full name is John Rankin Waddell, has photographed Kate Moss, Madonna, David Bowie and Queen Elizabeth II among others. Though mainly known for his fashion photography, his work has been exhibited in commercial art galleries and is held in the National Portrait Gallery. Rankin’s photography, directing and production business, Rankin & Co, is not part of the insolvency proceedings.

    Rankin tells The Art Newspaper: “[Rankin Group] was forced into liquidation because of an unforeseen tax bill, which meant that some staff did not receive their entire redundancy payments. The HMRC bill came as a big shock to us when we received the demand. Up until that point, we were looking at a recovery plan or, in the worst-case scenario, a winding down. Even after the demand, I tried to work out a deal, but it was just too late.”

    According to filings on Companies House, trade creditors are owed £258,000—though this figure includes prepayments of £73,000 for the year, which will not become due—while inter-company creditors are owed £980,000. “This indicates the level of support this company has had and is still owed to other Rankin businesses,” the photographer says. He adds that the £300,000 owed to employees “are primarily claims arising from the closure of the business—redundancy or notice, as opposed to arrears of wages—much of which will be recovered from the Redundancy Payments Service”.

    Rankin set up his advertising agency, initially called Rankin Creative, five years ago, later changing the name to the Rankin Group. “It was 100% financed and owned by me, which is why I’m the sole director, although there was a share incentive scheme,” Rankin says. The company was run by eight key people, including a chief executive, finance director and managing director.

    Rankin says the business did well in its first three years but had begun to struggle over the past two. “Whether it was due to reduced budgets around the economy or losing work to programmatic and AI-based solutions, it was a massively challenging period for us and many other services like us,” he says. “In addition, the technological revolution has essentially gutted a lot of the creative services agencies delivering great non-programmatic work. Sadly, that is what we were selling: a bespoke creative service around storytelling and brand building. When you combined that, with the lack of face-to-face work and meetings post-covid, it’s been a perfect storm. I couldn’t be more disappointed with both myself and the business for not being able to make the agency a success. I put everything I had into it, but it just wasn’t enough to make it work.”

    Rankin launched the lifestyle magazine Dazed & Confused with his friend and business partner Jefferson Hack in 1992. In December 2000 he added the quarterly fashion magazine RANK to the Dazed stable, before launching Another Magazine the following year. Rankin says the magazine business is untouched by the insolvency proceedings. “The Hunger Publishing company was and is a separate limited company to the insolvent one and continues to trade. Dazed has absolutely nothing to do with the advertising agency at all, and to be honest, I have very little to do with Dazed these days. I am mainly just a shareholder,” he says.

    While he continues to run his photography and production business, Rankin says he is “leaving the struggle of surviving in this climate to people that I really respect and who are obviously much better at it than I am”. He adds: “I wish them all the luck in the world, as I’ve never experienced something quite as tough as this shift in the creative landscape.”

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  • This Colorado Photographer Thinks You Should Embrace Nudity in Nature

    This Colorado Photographer Thinks You Should Embrace Nudity in Nature

    The trails in Colorado are often a runway show for outdoor apparel brands. Hikers parade around in Patagonia puffers, Melanzana hoodies, prAna pants, and Salomon boots. But Elsa Marie Keefe’s adventure attire is a little more minimalist. That’s because she prefers to wear nothing at all.

    The 33-year-old Keystone artist photographs her subjects—oftentimes herself—nude in nature with a focus on body positivity. Her documentary-style imagery celebrates the human form, grounding and connecting with the earth, and challenging the idea that nakedness equates to eroticism. “We are all born wild,” Keefe says. “Being naked is our primal truth. My photographic practice is about remembering our sacred nature and celebrating how our bodies mirror and embody the natural world.” Sometimes, Keefe’s photos stir up controversy—and always spark conversations.

    Her work appears in New York galleries—she hails from Manchester-by-the-Sea along Boston’s north shore—but in Summit County, she’s learning the nude form isn’t as easily digested. Her compositions have been misinterpreted as pornographic, and her website and social media feeds have been variously taken down. She has been censored and deleted, received death threat emails, and lost significant sources of income. This summer, a ranger on Lake Dillon threatened to arrest her for sunbathing naked on a tucked-away beach.

    And yet in spite of the pushback—or maybe because of it—Keefe feels her artistic mission is more important than ever. We sat down with the photographer to chat about her work and what it means to be nude in nature.

    Editor’s note: The following conversation has been edited for length and clarity.

    5280: What conversations do you hope to spark with your art?
    Elsa Marie Keefe: Number one: body positivity and loving oneself and other humans. Number two: our inherent connection with Mother Earth and the importance of our symbiotic relationship with the Earth. And, on a very practical healing level, the importance of literally coming into physical contact with our bare skin on the Earth’s surface.

    What inspired you to take up a nudist lifestyle?
    I would say growing up in a family as I did was the very foundation. My parents never called themselves nudists—however, as I got to be a little bit older and started reflecting on my life, I realized that in some ways, we kind of were a nudist family. My parents would never try to cover up out of shame or guilt. My mom would tan naked in the backyard and just relax. We would go to the U.S. Virgin Islands for holiday in the spring, and my parents would take us to this beach that was clothing-optional.

    Elsa Marie Keefe at Great Sand Dunes National Park. Photo by Elsa Marie Keefe

    You studied communications, marketing, and advertising in college. How did you land on nude photography?
    In college, I had my first internship in fashion photography in Boston. And that’s when everything changed for me. I got really depressed as I would be forced to sit at a computer for hours each day, sometimes editing down almost anorexic-looking girls to be even skinnier for advertisements. I got really sad realizing that I was contributing to this unattainable standard of beauty.

    That’s when I started trying nude photography. I researched a few photographers and the meaning of their work in the world of art history and in the modern world of art. I gave it a go, and things just took off from there naturally.

    How has your own journey with body positivity evolved?
    It’s been a lifelong journey and challenge. I know that loving oneself, body positivity, and finding beauty in our own bodies is very difficult for all of us. My art has actually helped my outlook on my body. I used to photograph myself for my early self-portrait work in college, and during one of my first shoots in the woods in Maine, I remember putting on a self-timer and then sprinting to be a couple hundred feet away from the camera so that I would be so small in the frame. I’ve grown a lot, and it’s been a very interesting and transformative experience to look back on my earlier shoots and see pure beauty in those photos that I remember so harshly critiquing at the time.

    What have you learned about our connection with nature?
    I’ve discovered the true science behind the regulation of our bodies through this practice of being nude in nature and the healing capacity of our bodies when we are in direct contact with the Earth’s dirt, sand, rocks, clay, and water. When our body comes in contact with the Earth’s surface, we actually absorb negative ions that help ourselves regulate. When our cells are stable and are absorbing the proper nutrients and electricity, our [bodies] can function at an optimal level.

    Elsa Marie Keefe poses in Moab. Photo by Elsa Marie Keefe

    How does your artwork aim to shift the conversation around nudity?
    For many years, my work was all about reminding us that the human form and nudity does not equate with sexuality, but as I’ve gotten older, I’ve learned that we do need to speak about sex because it is part of the human experience, and the more that we avoid it, the more people feel shame and turn to things like pornography to learn about these harder subjects.

    It’s also important that children see the naked body outside of a sexual context because the reality is most parents in America quickly cover up so that their children don’t see their bodies. We’re taught to believe that there is shame surrounding our body and, in reality, most children, including my own generation, were taught about how a body should look through pornography.

    Where do you want your art to go?
    I want my art to land all over the world. My big dream is to be in the Museum of Modern Art and some larger institutions, to be selling more consistently, and to be acquiring consistent investors who genuinely see my vision and want to support my art financially.

    I also want to continue hosting nude women’s healing circles around the world and participating in retreat spaces with friends where I offer embodiment photo shoots to help women feel beautiful and comfortable in their skin and to truly realize that they are a piece of art and a part of art.

    What’s next?
    I am currently working on my handmade books. I make journals, books, and art books by sewing them together. I’m also working on a documentary called Soil to Soul about my dear friend who is 80 years old and has been gardening for about 70 years. I really wanted to shoot this to honor his life’s work and to help share all of the wisdom he has around the health of our soil and our planet. I’m also preparing for the Miami Basel art show and then a work trip to Switzerland.


    Keefe is available for nude in nature embodiment photo shoots, commissioned projects, and collaborations. Find her at elsamariekeefe.art and follow her journey on Instagram @elsamariekeefe.

    Lisa Blake



    Source link

  • This Colorado Photographer Thinks You Should Embrace Nudity in Nature

    This Colorado Photographer Thinks You Should Embrace Nudity in Nature

    The trails in Colorado are often a runway show for outdoor apparel brands. Hikers parade around in Patagonia puffers, Melanzana hoodies, prAna pants, and Salomon boots. But Elsa Marie Keefe’s adventure attire is a little more minimalist. That’s because she prefers to wear nothing at all.

    The 33-year-old Keystone artist photographs her subjects—oftentimes herself—nude in nature with a focus on body positivity. Her documentary-style imagery celebrates the human form, grounding and connecting with the earth, and challenging the idea that nakedness equates to eroticism. “We are all born wild,” Keefe says. “Being naked is our primal truth. My photographic practice is about remembering our sacred nature and celebrating how our bodies mirror and embody the natural world.” Sometimes, Keefe’s photos stir up controversy—and always spark conversations.

    Her work appears in New York galleries—she hails from Manchester-by-the-Sea along Boston’s north shore—but in Summit County, she’s learning the nude form isn’t as easily digested. Her compositions have been misinterpreted as pornographic, and her website and social media feeds have been variously taken down. She has been censored and deleted, received death threat emails, and lost significant sources of income. This summer, a ranger on Lake Dillon threatened to arrest her for sunbathing naked on a tucked-away beach.

    And yet in spite of the pushback—or maybe because of it—Keefe feels her artistic mission is more important than ever. We sat down with the photographer to chat about her work and what it means to be nude in nature.

    Editor’s note: The following conversation has been edited for length and clarity.

    5280: What conversations do you hope to spark with your art?
    Elsa Marie Keefe: Number one: body positivity and loving oneself and other humans. Number two: our inherent connection with Mother Earth and the importance of our symbiotic relationship with the Earth. And, on a very practical healing level, the importance of literally coming into physical contact with our bare skin on the Earth’s surface.

    What inspired you to take up a nudist lifestyle?
    I would say growing up in a family as I did was the very foundation. My parents never called themselves nudists—however, as I got to be a little bit older and started reflecting on my life, I realized that in some ways, we kind of were a nudist family. My parents would never try to cover up out of shame or guilt. My mom would tan naked in the backyard and just relax. We would go to the U.S. Virgin Islands for holiday in the spring, and my parents would take us to this beach that was clothing-optional.

    Elsa Marie Keefe at Great Sand Dunes National Park. Photo by Elsa Marie Keefe

    You studied communications, marketing, and advertising in college. How did you land on nude photography?
    In college, I had my first internship in fashion photography in Boston. And that’s when everything changed for me. I got really depressed as I would be forced to sit at a computer for hours each day, sometimes editing down almost anorexic-looking girls to be even skinnier for advertisements. I got really sad realizing that I was contributing to this unattainable standard of beauty.

    That’s when I started trying nude photography. I researched a few photographers and the meaning of their work in the world of art history and in the modern world of art. I gave it a go, and things just took off from there naturally.

    How has your own journey with body positivity evolved?
    It’s been a lifelong journey and challenge. I know that loving oneself, body positivity, and finding beauty in our own bodies is very difficult for all of us. My art has actually helped my outlook on my body. I used to photograph myself for my early self-portrait work in college, and during one of my first shoots in the woods in Maine, I remember putting on a self-timer and then sprinting to be a couple hundred feet away from the camera so that I would be so small in the frame. I’ve grown a lot, and it’s been a very interesting and transformative experience to look back on my earlier shoots and see pure beauty in those photos that I remember so harshly critiquing at the time.

    What have you learned about our connection with nature?
    I’ve discovered the true science behind the regulation of our bodies through this practice of being nude in nature and the healing capacity of our bodies when we are in direct contact with the Earth’s dirt, sand, rocks, clay, and water. When our body comes in contact with the Earth’s surface, we actually absorb negative ions that help ourselves regulate. When our cells are stable and are absorbing the proper nutrients and electricity, our [bodies] can function at an optimal level.

    Elsa Marie Keefe poses in Moab. Photo by Elsa Marie Keefe

    How does your artwork aim to shift the conversation around nudity?
    For many years, my work was all about reminding us that the human form and nudity does not equate with sexuality, but as I’ve gotten older, I’ve learned that we do need to speak about sex because it is part of the human experience, and the more that we avoid it, the more people feel shame and turn to things like pornography to learn about these harder subjects.

    It’s also important that children see the naked body outside of a sexual context because the reality is most parents in America quickly cover up so that their children don’t see their bodies. We’re taught to believe that there is shame surrounding our body and, in reality, most children, including my own generation, were taught about how a body should look through pornography.

    Where do you want your art to go?
    I want my art to land all over the world. My big dream is to be in the Museum of Modern Art and some larger institutions, to be selling more consistently, and to be acquiring consistent investors who genuinely see my vision and want to support my art financially.

    I also want to continue hosting nude women’s healing circles around the world and participating in retreat spaces with friends where I offer embodiment photo shoots to help women feel beautiful and comfortable in their skin and to truly realize that they are a piece of art and a part of art.

    What’s next?
    I am currently working on my handmade books. I make journals, books, and art books by sewing them together. I’m also working on a documentary called Soil to Soul about my dear friend who is 80 years old and has been gardening for about 70 years. I really wanted to shoot this to honor his life’s work and to help share all of the wisdom he has around the health of our soil and our planet. I’m also preparing for the Miami Basel art show and then a work trip to Switzerland.


    Keefe is available for nude in nature embodiment photo shoots, commissioned projects, and collaborations. Find her at elsamariekeefe.art and follow her journey on Instagram @elsamariekeefe.

    Lisa Blake



    Source link