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Tag: Ron

  • Ron Saloman recognized as BC’s first — and most loyal — Superfan with a streak of football home game attendance spanning nearly seven decades

    Ron Saloman recognized as BC’s first — and most loyal — Superfan with a streak of football home game attendance spanning nearly seven decades

    “I remember the game, and BC probably will remember me,” said Saloman, now 91. “When I went home, I had a big wide plank stripe across my pants and all the way through to my bottom side. I contacted BC, and their insurance company reimbursed me for the slacks.”

    The second, a streak of games, is still a source of pride 67 years later. Saloman, who grew up in Brookline and lives in Shrewsbury, has attended 400 of a possible 402 Boston College home games since the stadium opened.

    The Eagles commemorated the milestone during Saturday’s game against Pittsburgh with a ceremony midway through the second quarter. Saloman, sporting a maroon BC jacket and hat, took the field with his family and enthusiastically hoisted his cane in the air to salute the crowd.

    Forgive him for missing two games along the way. One, he was on his way home from Alaska and ended up coincidentally watching the game in a Seattle airport with actor Cuba Gooding Jr. The other was due to a family Bar Mitzvah.

    Saloman did pull rank at his temple in 1973 to move his son Peter’s Bar Mitzvah to a bye week. It was going to take a lot more than that to deprive him of watching his beloved Eagles.

    “He’s something else,” said his son, Larry Saloman. “Has been for a long time.”

    BC Superfan Ron Saloman, 91, poses with BC’s cheerleading squad before an Eagles home football game.Courtesy of the Saloman Family

    Saloman made sure to have his quadruple bypass in the offseason in 2014 so he wouldn’t miss any games. Now, as he receives treatment for prostate cancer, Saloman deliberately does so in the middle of the week rather than on the weekend.

    For the Salomans, Saturdays are sacred.

    “It’s like praying at the pigskin altar,” Larry said.

    Saloman’s passion began in the 1940s, when he watched the Boston Yanks of the National Football League compete at Fenway Park and witnessed the first-ever Celtics game in 1946. He attended Northeastern University and played freshman football — collecting “more splinters than snaps” as a backup quarterback — then graduated from Suffolk Law School and became a distinguished lawyer.

    He admired the prominence of BC and latched onto the program as a way to see major college football close to home. Saloman — who had “BCFAN” as his license plate for many years — first bought tickets with his neighbors, but each member of the group has since passed.

    “It seems to be what happens,” Saloman said. “I’m the survivor.”

    Saloman has always loved bringing his family to games. Larry fondly recalls grabbing a Morrison & Schiff knockwurst on a bulky roll at Jack and Marion’s on Harvard Street before heading to Alumni as a kid.

    The Salomans saw Tony Dorsett show promise as a freshman for Pittsburgh and Earl Campbell debut for Texas in back-to-back years in the 1970s. His favorite win ever is a triumph over Texas in 1976, when the Longhorns missed a pivotal field goal that allowed the Eagles to pull off the upset win.

    In 1982, they watched freshman Bo Jackson’s Auburn team outlast Doug Flutie’s Eagles in the Tangerine Bowl.

    Yes, he was at the Miracle in Miami in 1984, but not without a little adversity. Saloman tore up his knee on Thanksgiving, the day prior, while playing football with the kids in the yard. They hurried him to the hospital, put him on crutches, wrapped his knee, and stretched him out across three seats on the plane.

    “I basically carried him to the hotel that night and carried him to the Orange Bowl the next day,” said Larry, who has been to 300-plus BC games himself.

    Saloman savors BC wins over Navy, Army, Air Force, Notre Dame, Alabama, Clemson, Southern California, and many more. In addition to all the home games, Saloman has attended BC games in 20 other states. He’s been to 49 states overall, including Oklahoma this fall for a game, and is hoping to travel to Nebraska to complete the puzzle.

    His favorite opposing fan base is Clemson. His least favorite is West Virginia. The most scenic spot so far has been Brigham Young University.

    Saloman, also a longtime men’s basketball season ticket holder who served on the school’s estate planning council for three years, has met nearly all the football coaches and athletic directors.

    He loves the camaraderie of the BC community and is incredibly grateful for the bonds he’s formed. Saloman has never been one to turn down an opportunity.

    When it comes to following BC football, Ron Saloman, 91, has been licensed to travel to games — home and away — for almost seven decades.Courtesy of the Saloman Family

    Two days after Peter was born, on Sept. 7, 1960, Saloman went to the hospital to check on his wife, Sybil, and newborn son, then hustled to Boston University to attend the Boston Patriots inaugural game at Nickerson Field.

    “He’s just a huge sports fan,” Peter said. “He doesn’t let anything get in the way.”

    Saloman carried the Olympic torch during the Salt Lake City games. He was the first person from Massachusetts to umpire the Little League World Series in Pennsylvania. Last year, he was a substitute kindergarten teacher in Marlborough.

    “Those kids will never, ever have another 90-year-old substitute teacher,” Saloman said. “They wore me out by the end of the day. It was a long day.”

    He’s currently the vice president of Audio Journal, a blind radio station in Worcester where he does a sports podcast every few weeks. Saloman recently welcomed Brooke Cooper, the vice president/general manager of the Worcester Red Sox, and would love to get BC football coach Bill O’Brien, lacrosse coach Acacia Walker-Weinstein, or athletics director Blake James on the show.

    Most of all, Saloman simply loves being around the action. The seats, companions, stadium, coaches, and players have all changed over decades at Alumni Stadium, but Saloman has been a constant.

    “I keep doing it,” Saloman said. “To me, it’s important.”


    Trevor Hass can be reached at trevor.hass@globe.com.



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  • 1980 U.S. Olympian Ron Neugent Inducted into Kansas Sports Hall of Fame

    1980 U.S. Olympian Ron Neugent Inducted into Kansas Sports Hall of Fame

    1980 Olympian Ron Neugent was among 12 athletes inducted into the Kansas Sports Hall of Fame during a ceremony held in Topeka on Sunday, Oct. 13.

    Neugent was a standout swimmer at the University of Kansas, setting five program records and a pair of Big Eight Records during his time with the Jayhawks.

    The other 11 athletes inducted alongside Neugent in the Class of 2024 include Dave Bingham (baseball coach), Mark Mangino (football coach), Kelly Rankin (baseball/track & field), Scott Russell (track & field) and Mark Turgeon (basketball), all of whom have ties to Kansas University, as well as Erik Kynard (track & field), Melvin Lister (track & field), Kevin Saunders (Paralympian), Will Shields (football), Sean Snyder (football) and Annette Wiles (basketball).

    Altogether, this group is comprised of seven individuals who have ties to Olympic and Paralympic competition, including an Olympic gold medalist (Kynard) and a Paralympic medalist and the only American to be named a head track and field starter for two Olympic Games (Rankin). The group also includes national champion coaches, collegiate champions and All-Americans, and American-record holders.

    In a press release for the ceremony, Kansas Sports Hall of Fame Chairman Jim Dunning, Jr. said “This is an accomplished group and one the Hall of Fame is extremely proud to recognize. They bring a considerable diversity of backgrounds and talents to the Hall. In this an Olympic year, I believe it is wonderful to shine a light on seven inductees with Olympic connections.”

    With his induction, Neugent joins the Kansas Sports Hall of Fame alongside six other swimmers and swimming coaches. Some of Neugent’s most notable achievements in the pool include:

    • Neugent swam for the Wichita Swim Club in High School and was one of the top ranked youth swimmers nationally. Club was founded by KSHOF inductee and former Kansas track Coach Bob Timmons.
    • Over the course of two years at Kansas, Neugent set five school and two Big Eight records and won two Big Eight individual titles. His mark in the 1650 freestyle still ranks as one of the best at KU and in Big Eight history.
    • He transferred to KU from SMU, where he earned All-America honors by finishing 11th in the 1650 freestyle at the NCAA Championships. He also finished second in the 1650 freestyle at the Southwest Conference Championships.
    • He was a member of the 1980 U.S. Olympic team and the 1981 U.S. National team that traveled to Moscow.
    • In 1979, he gained national recognition when he won the 1500-meter freestyle at the World University Games.
    • On Sept. 5, 1982, he set an American record for a 25-meter pool in the 1500-meter freestyle (15:01.77).
    • Neugent has 15 top 10 U.S. Masters Swimming all-time performances.
    • He served on the U.S. Olympic Committee Board of Directors and Athletes Advisory Council and was a former Vice-President of United States Swimming.

    In addition to these athletic achievements, Neugent was a committed champion for KU’s men’s swimming and diving team when it was cut alongside men’s tennis in 2001.

    In 2002, Neugent gave an eloquent testimony before the Title IX Opportunity in Athletics Commission in response to the University of Kansas, the University of Nebraska, and Iowa State University all cutting their men’s swimming and diving programs at the start of the 2001-2002 season.



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  • Eden; Ron Howard’s survivalist true story thriller is a provocative piece of work: TIFF 2024 Review

    Eden; Ron Howard’s survivalist true story thriller is a provocative piece of work: TIFF 2024 Review

    So often across cinematic history has it been proven that fact is stranger than fiction, and in the case of Ron Howard‘s Eden, the crazier humanity proves themselves to be, the more seeped in reality their stories are.

    And it’s what makes Eden – arguably Howard’s most exciting project in over a decade – all the more disturbing and fascinating, that what unfolds on screen depicts the actions of what humans are capable of.  Offsetting the film’s island paradise locale and aesthetically pleasing ensemble with a grotesque nature to both, Howard is clearly conscious of the fact that no matter how perfect something – or someone – looks, a darkness so often can linger underneath, and Eden, in spite of its namesake, drives this home with a psychologically torturous mentality.

    Set in 1929 in the devastating aftermath of World War I, Dr. Friedrich Ritter (Jude Law) and his wife, Dora Strauch (Vanessa Kirby), flee their native Germany in a bid to reject the materialistic nature they believe is corroding the potential of mankind.  Setting up their minimalistic lifestyle in the Galápagos archipelago, Friedrich plans to utilise his isolation by writing his manifesto – one that he sees as being a starting point for mankind’s survival – whilst Dora resolves to cure her multiple sclerosis through meditation.

    Though their intent is to live out the rest of their days free from the prying eyes and opinions of the now-outside world, Friedrich has penned a series of letters about his newfound existence that have made their way to a variety of national newspapers thanks to passing ships.  Friedrich and Dora’s lifestyle, as well as the island’s very existence, starts to gain a fanbase, and it isn’t long before their solitude is disrupted.

    First arrives Heinz and Margaret Wittmer (Daniel Brühl and Sydney Sweeney).  The growing financial strain of surviving in Germany, the political turmoil of their city, and their son’s tuberculosis all play a part in their intended plan to start anew on the island.  Whilst they arrive with the purest of intentions, Friedrich and Dora don’t take kindly to their presence, believing this family is something of a threat; no longer will their island paradise be solitary and, amongst other things, their resources will have to be divided.  Taking a more subtle, psychological approach to the situation, Friedrich – after expressing his dominance by greeting the Wittmers totally nude (so, yes, there is a gander at Jude’s law, so to speak) – suggests the family set up camp near a selection of caves, knowing all too well that the water shortage there will hinder their ability to grow crops.  The Wittmers prove more resourceful than expected and, to much surprise, they carve out something of a life there, taming nature in the process in manners Friedrich had never envisioned.

    The island’s final arrival is where the established power dynamic is truly shifted however.  Swanning about with the type of materialistic mentality that both the Ritters and the Wittmers have rejected, Eloise Bosquet de Wagner Wehrhorn (Ana de Armas, undoubtedly the film’s greatest asset), a self-described Baroness and “the embodiment of perfection”, announces she in fact owns considerable acreage there and with her “Hotel Paradiso” intends to build an expansive resort, turning the idyllic peninsula into a tourist hotspot.  Already expressing her cunning nature by shifting her attention between the two gentleman that assist her (Toby Wallace and Felix Kammerer), Eloise quickly starts to play Friedrich and Heinz against each other, leading the island into chaos and forcing a sense of jealousy and greed to emerge.

    Whilst Eden does submit to its narrative darkness across its 129 minutes, Noah Pink‘s script continually maintains an entertaining sense of self, with much of the film owing its engrossment to that of de Armas.  A role that showcases the greatest range for the actress yet, de Armas easily balances her character’s camp-like nature with a sinister underbelly, and she proves the perfect equilibrium against Sweeney’s more grounded turn and Kirby’s steely resolve. Brühl and Law are equally as good, both embodying their characters with a sense of theatrical authenticity, but Eden belongs to its female players, and if the collective voters had the right sense they’d be unanimous in voting de Armas as a supporting actress frontrunner come award season.

    Much like how he created an engaging slice of cinema from the true story of the Tham Luang cave rescue with 2022’s Thirteen Lives, Howard similarly takes hold of this story’s rooted-in-certitude base and arranges it to both see fit as a provocative piece of work and a true story worth uncovering.

    FOUR STARS (OUT OF FIVE)

    Eden screened as part of this year’s Toronto International Film Festival, which ran between September 5th and 15th, 2024.  For more information about the festival, head to the official site here.


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  • Eden; Ron Howard’s survivalist true story thriller is a provocative piece of work: TIFF 2024 Review

    Eden; Ron Howard’s survivalist true story thriller is a provocative piece of work: TIFF 2024 Review

    So often across cinematic history has it been proven that fact is stranger than fiction, and in the case of Ron Howard‘s Eden, the crazier humanity proves themselves to be, the more seeped in reality their stories are.

    And it’s what makes Eden – arguably Howard’s most exciting project in over a decade – all the more disturbing and fascinating, that what unfolds on screen depicts the actions of what humans are capable of.  Offsetting the film’s island paradise locale and aesthetically pleasing ensemble with a grotesque nature to both, Howard is clearly conscious of the fact that no matter how perfect something – or someone – looks, a darkness so often can linger underneath, and Eden, in spite of its namesake, drives this home with a psychologically torturous mentality.

    Set in 1929 in the devastating aftermath of World War I, Dr. Friedrich Ritter (Jude Law) and his wife, Dora Strauch (Vanessa Kirby), flee their native Germany in a bid to reject the materialistic nature they believe is corroding the potential of mankind.  Setting up their minimalistic lifestyle in the Galápagos archipelago, Friedrich plans to utilise his isolation by writing his manifesto – one that he sees as being a starting point for mankind’s survival – whilst Dora resolves to cure her multiple sclerosis through meditation.

    Though their intent is to live out the rest of their days free from the prying eyes and opinions of the now-outside world, Friedrich has penned a series of letters about his newfound existence that have made their way to a variety of national newspapers thanks to passing ships.  Friedrich and Dora’s lifestyle, as well as the island’s very existence, starts to gain a fanbase, and it isn’t long before their solitude is disrupted.

    First arrives Heinz and Margaret Wittmer (Daniel Brühl and Sydney Sweeney).  The growing financial strain of surviving in Germany, the political turmoil of their city, and their son’s tuberculosis all play a part in their intended plan to start anew on the island.  Whilst they arrive with the purest of intentions, Friedrich and Dora don’t take kindly to their presence, believing this family is something of a threat; no longer will their island paradise be solitary and, amongst other things, their resources will have to be divided.  Taking a more subtle, psychological approach to the situation, Friedrich – after expressing his dominance by greeting the Wittmers totally nude (so, yes, there is a gander at Jude’s law, so to speak) – suggests the family set up camp near a selection of caves, knowing all too well that the water shortage there will hinder their ability to grow crops.  The Wittmers prove more resourceful than expected and, to much surprise, they carve out something of a life there, taming nature in the process in manners Friedrich had never envisioned.

    The island’s final arrival is where the established power dynamic is truly shifted however.  Swanning about with the type of materialistic mentality that both the Ritters and the Wittmers have rejected, Eloise Bosquet de Wagner Wehrhorn (Ana de Armas, undoubtedly the film’s greatest asset), a self-described Baroness and “the embodiment of perfection”, announces she in fact owns considerable acreage there and with her “Hotel Paradiso” intends to build an expansive resort, turning the idyllic peninsula into a tourist hotspot.  Already expressing her cunning nature by shifting her attention between the two gentleman that assist her (Toby Wallace and Felix Kammerer), Eloise quickly starts to play Friedrich and Heinz against each other, leading the island into chaos and forcing a sense of jealousy and greed to emerge.

    Whilst Eden does submit to its narrative darkness across its 129 minutes, Noah Pink‘s script continually maintains an entertaining sense of self, with much of the film owing its engrossment to that of de Armas.  A role that showcases the greatest range for the actress yet, de Armas easily balances her character’s camp-like nature with a sinister underbelly, and she proves the perfect equilibrium against Sweeney’s more grounded turn and Kirby’s steely resolve. Brühl and Law are equally as good, both embodying their characters with a sense of theatrical authenticity, but Eden belongs to its female players, and if the collective voters had the right sense they’d be unanimous in voting de Armas as a supporting actress frontrunner come award season.

    Much like how he created an engaging slice of cinema from the true story of the Tham Luang cave rescue with 2022’s Thirteen Lives, Howard similarly takes hold of this story’s rooted-in-certitude base and arranges it to both see fit as a provocative piece of work and a true story worth uncovering.

    FOUR STARS (OUT OF FIVE)

    Eden screened as part of this year’s Toronto International Film Festival, which ran between September 5th and 15th, 2024.  For more information about the festival, head to the official site here.


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